Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

FKA twigs has spent over a decade redefining the boundaries of pop music through her innovative blend of electronic production, experimental R&B, and striking visual art. Her albums LP1 and Magdalene earned widespread critical acclaim, establishing her as one of the most forward-thinking voices in contemporary music.
Last November, she released EUSEXUA Afterglow, a companion to her Grammy-winning, dance-forward album EUSEXUA. Twigs' new album addresses identity, bodily autonomy, and resistance.
On today's episode, Justin Richmond talks to FKA twigs about her experiences growing up mixed-race in rural England and how going to Jamaican clubs as a teenager inspired her 2022 mixtape CAPRISONGS. She also explains why she's not a fan of TikTok dances, and she breaks down the precise moment when all of the forces align at a rave that have brought her to the realization that this is the most important moment in culture.
You can hear a playlist of some of our favorite songs from FKA Twigs HERE.
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Ben Bridwell has led Band of Horses for over two decades. He describes the band's sound as "y'all-ternative," a genre that tips its hat to Southern rock's deep myriad of musical influences.
Next month, Band of Horses is celebrating the 20th anniversary of their debut album, Everything All the Time, with an expanded reissue featuring previously unreleased demos and live recordings. The album, recorded in 2005 with producer Phil Ek, who's known for producing albums by Built to Spill, Modest Mouse, and The Shins.
When Band of Horses started working with Phil, Ben had only been writing songs for a couple of years. He was also new to Seattle, where he'd relocated from Tucson, a city he moved to at 16 after dropping out of high school in his native Irmo, South Carolina.
On today's episode, Leah Rose talks to Ben Bridwell about recording Everything All the Time. He opens up about hitting rock bottom in South Carolina before moving to Seattle. He also talks about recently breaking the generational curse of alcoholism in his family, getting his life together post-divorce, and he explains why the upcoming Band of Horses album may sound aggressive despite the fact that he's in such a happy place.
You can hear a playlist of some of our favorite songs from Ben Bridwell & Band of Horses HERE.
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Grant-Lee Phillips first made his name in the ‘90s as the frontman of Grant Lee Buffalo, a critically acclaimed band that released four albums and toured with Pearl Jam, the Smashing Pumpkins, and R.E.M. Rolling Stone named Grant-Lee "Best Male Vocalist" in 1994, and his band became known for their folk-infused rock sound and their reflections on American history.
After Grant Lee Buffalo disbanded in 1999, Phillips launched a solo career, eventually becoming familiar to a wider audience through his recurring role as the town troubadour on Gilmore Girls. Last September, he released his 12th solo album, In the Hour of Dust. The album's title was inspired by an ancient Indian painting Grant-Lee saw at a museum in Pasadena that depicts the twilight moment when cows are led home and kick up dust as night falls.
On today's episode, Bruce Headlam talks to Grant-Lee Phillips about making In the Hour of Dust. He tells the story of how a trip to the La Brea Tar Pits with his old friend Michael Stipe inspired his song "American Lions." And he discusses his songwriting process and how he approaches writing lyrics that balance the personal with larger societal themes.
You can hear a playlist of some of our favorite songs from Grant-Lee Phillips HERE.
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Peaches has spent more than two decades pushing boundaries in electronic music and performance art, inspiring the look and sound of edgy pop artists like Lady Gaga and Grimes. But long before she was known for her outrageous stage shows, Peaches got her start as part of a folk trio in Toronto. In the mid-'90s, after discovering she could become a one-woman band with her Roland drum machine, Peaches began developing a provocative new persona.
In 2000, she moved to Berlin and released The Teaches of Peaches, featuring the song "Fuck the Pain Away." The track has been cited by Thom Yorke as an inspiration while making Radiohead's In Rainbows, and has appeared in countless movies and TV shows including Lost In Translation, The Handmaid's Tale, and even South Park. Peaches has spent the last several years creating works for stage and screen, including serving as the subject of two recent documentaries. Now, after more than a decade, she's returning with No Lube So Rude, her first album in over 10 years, recorded in Berlin with producer The Squirt Deluxe.
On today's episode, Leah Rose talks to Peaches about making No Lube So Rude and how the album addresses identity, bodily autonomy, and offers an antidote for all the friction in the world. Peaches also discusses how she recently discovered her dad pleaded with a bar mitzvah band to give her her first shot performing live on stage. And she shares her deep love of '70s rock and roll trivia.
You can hear a playlist of some of our favorite songs from Peaches HERE.
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Jacob Collier has built a remarkable career as a multi-instrumentalist and arranger known for his complex harmonic approach and collaborative spirit. He first gained attention as a teenager posting multi-track videos from his childhood bedroom in North London. In 2013, his cover of Stevie Wonder's "Don't You Worry 'Bout a Thing" caught the eye of Quincy Jones, who began mentoring him and helped launch his career.
Over the past seven years, Jacob’s released four albums in his Djesse series—ambitious, wide-ranging projects featuring collaborations with artists ranging from Coldplay to Tori Amos. He's won multiple Grammy Awards and developed a following through his inventive live performances and his willingness to share his deep knowledge of music theory with fans online.
Now, Jacob has made a dramatic shift with his new album, The Light for Days. Recorded in just four days using only a custom five-string guitar, it's a stripped-down, intimate collection that explores folk, classical, and jazz influences with notable restraint.
On today's episode, Bruce Headlam talks to Jacob Collier about why he decided to limit himself to a single instrument after years of layered, maximalist production. He discusses the custom five-string guitar built for him by Taylor's master luthier Andy Powers and how its unique tuning opened up new harmonic possibilities. He also talks about working with Joni Mitchell, the influence of artists like John Martyn and Brian Wilson, and how growing up singing Bach chorales with his family shaped his approach to harmony. And he performs several songs from the new album live in the studio.
You can hear a playlist of some of our favorite songs from Jacob Collier HERE.
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