In today's episode, Carly and CeCe are joined by Maya Golden, author of The Return Trip. During the episode, they discuss a query that was previously submitted to BWH; the need for balance between bio and plot in a query letter; memoirists writing their query letter plot/body paragraphs in first person rather than third; and cautioning against focusing on questions when writing plot paragraphs. Maya then discusses the structure and inspiration of her memoir; and she outlines the differences between writing fiction and memoir.Find us on our socials:Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyraInstagram: https://www.instagram.com/the_shit_about_writing/https://www.instagram.com/biancamarais_author/https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/Facebook:  https://www.facebook.com/TSNOTYAWWebsites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.comBookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting More information about Maya can be found at: https://www.goodasgolden.com/about/She's also on Instagram at https://www.instagram.com/goodasgolden/?hl=enAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In today’s Books with Hooks, Carly and CeCe critique three submissions and cover topics like having escalating plot in the plot paragraphs; having only one POV character; weaving in setting in historical fiction, interiority; character names in query letters vs synopses; ensuring dual timelines connect; passivity and coincidences; using statements instead of questions in the query; short frame narrative prologues to ground the reader; two arcs for two timelines; major dramatic questions; and a character being self-aware vs dissociative.After which Bianca interviews Kerry Clare, author of Asking for a Friend about the concept of circling the building in relation to deciding on who a novel’s characters will be; using a particular setting to help define character; the layering method of writing; social commentary in fiction; and advice for those writing novels that span decades.Find us on our socials:Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyraInstagram: https://www.instagram.com/the_shit_about_writing/https://www.instagram.com/biancamarais_author/https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/Facebook:  https://www.facebook.com/TSNOTYAWWebsites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.comBookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwritingMore information about Kerry can be found at: https://picklemethis.com/aboutme/She's also on Instagram at: https://www.instagram.com/kerryreads/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In today's episode, Carly and CeCe are joined by Kelly S. Thompson, author of the memoir Still, I Cannot Save You. The three discuss: POV lending itself to emotionality in pages and the importance of choosing the right POV to fully exemplify that emotionality; the two required elements of a memoir and the importance of a thematic singular thread through it; remembering what your reader knows vs what you know; Kelly’s journey to publication; mapping out the memories and moments in memoirs; and Kelly’s advice for fellow memoirists.Find us on our socials:Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyraInstagram: https://www.instagram.com/the_shit_about_writing/https://www.instagram.com/biancamarais_author/https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/Facebook:  https://www.facebook.com/TSNOTYAWWebsites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.comBookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwritingMore information about Kelly can be found at: https://kellysthompson.com/She's on Instagram at https://www.instagram.com/kellysthompsonwriter/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In today's bumper August Episode, we have two amazing author interviews as well as a Q & A and Comp Title segment.Bianca first chats with bestselling and award-winning author, Emma Donoghue, about her latest novel, Learned By Heart. During the segment, the two discuss quieter novels; waiting for the right time to write a particular novel; the limitations of playwriting vs novel writing; the amount of research that goes into writing historical fiction; and choosing a POV character.After which, Carly and CeCe answer various questions, including the acceptability of comping with a very popular novel; whether one needs to reach out to experts when it comes to writing historical fiction; the pros and cons of various forms of publishing; whether to label a novel as a series in a query letter; having a synopsis prepared when querying; and when your essays in a collection should be shared with the public before officially publishing.Carly then chats with Lisa Jewell about her latest novel, None of This Is True. The two discuss how Lisa came up with the idea of her novel's antagonist; how Lisa changed her novel from being a 'slow-burn' to being more fast-paced; subverting readers' expectations of genre conventions; what differentiates this book from Lisa's previous novels; and Lisa's rationale about the importance of a positive relationship with your readers.Finally, Emilie Sommer of East City Bookshop gives you suggested comp titles!Find us on our socials:Find us on our socials:Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyraInstagram: https://www.instagram.com/the_shit_about_writing/https://www.instagram.com/biancamarais_author/https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/Facebook: https://www.facebook.com/TSNOTYAWWebsites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.comBookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwritingMore information about Emma Donoghue can be found at https://www.emmadonoghue.com/ and https://www.instagram.com/e_donoghue/More information about Lisa Jewell can be found at https://www.instagram.com/lisajewelluk/ and at https://twitter.com/lisajewelluk?lang=enTo connect with Emilie Sommer go to https://www.instagram.com/emiliegsommer/ and you can find East City Bookshop at https://www.instagram.com/eastcitybookshop/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In today’s episode, Fiona Davis joins Bianca, Carly, and CeCe to critique Books with Hooks submissions while also talking about her latest novel, The Spectacular. During the episode, they discuss achieving NYT Bestselling status several times over; having messy story setups and high stakes; interiority and emotionality; ensuring there are obstacles in the main character’s way right from the start; knowing what the main character wants; passive query letters; why having more plot and less talk of themes in a query letter matters; not starting in an obvious place; having description accomplish more than one thing; researching and choosing a setting; outlining and reverse outlining; and using peripheral characters brilliantly.Find us on our socials:Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyraInstagram: https://www.instagram.com/the_shit_about_writing/https://www.instagram.com/biancamarais_author/https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/Facebook:  https://www.facebook.com/TSNOTYAWWebsites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.comMore information about Fiona can be found at https://www.fionadavisbooks.com/. She's on Instagram http://instagram.com/fionadavisauthor, and  Facebook https://www.facebook.com/FionaDavisAuthorAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy