Slate History

• 3: “A Church with AIDS” | When We All Get to Heaven

  In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what’s likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It’s by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody’s Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation’s current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Hit Parade | If You Love Sting, Set Him Free Edition Part 1

  Walk into any store or flip on a radio, and you’ll probably hear the Police’s “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit’s songwriter—Sting—is a very wealthy man. Now, his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs.. No matter how that dispute turns out, it’s a reminder of Sting’s uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of Millennial and Zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 2: A New Gospel for Gay Sinners | When We All Get to Heaven

  Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry’s last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Outward | Making ‘When We All Get to Heaven’

  As Outward proudly presents the 10-episode series When We All Get to Heaven, from Eureka Street Productions, Christina and Bryan had the privilege of sitting down with series host Lynne Gerber. Lynne explains how 1,200 cassette tapes became a wealth of archival audio that infuses this series with so much vitality, joy, and shared mourning of queer churches during a devastating epidemic. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Produced by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 1: Setting The Table | When We All Get to Heaven

  In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they’ve lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church’s services during the height of the epidemic. Whether you’re a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

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