Emergence Magazine Podcast

This week’s episode features two stories that show how languages tied to land can transcend the duality between our inner and outer worlds. In “Five Hundred Words,” Marie Mutuski Mockett considers what may become of the timeless tradition of haiku, nurtured over generations, when the seasonal words it relies on no longer reflect our ecological reality. The second story is an excerpt from the book Thirty-Two Words for Field, by the late Manchán Magan, that invites us into landscapes known intimately through the Irish language . Narrated by Manchán’s brother, Ruán, this excerpt is layered with folklore, proverbs, and cultural memory.
Read Marie Mutsuki Mockett.
Read Manchán Magan.
Credit: Matt Dutile / Gallery Stock

With his signature joy, Irish author and naturalist Dara McAnulty praises the arrival of curlew song in spring, emerging emperor dragonflies, feet crunching on fallen leaves, and the sweeping flight of a barn owl on a midsummer evening. This ode to experiencing the seasons as a natural flowing of one's being—rather than a backdrop of abstract phenomena—shows us how when the body is in relation with the land, our sense of self can soften back into belonging with Earth.
Read the essay.
Credit: David Avazzadeh / Connected Archives

When we increasingly turn to AI to produce written work with just the click of a button, we risk not only eroding our capacity to imagine and give form to ideas, but we also strip writing of the mysterious process that makes it alive and meaningful. This week, Stephanie Krzywonos explores how the age-old labor of writing has always been a profoundly embodied act, and considers how all our creations, whether impressed in clay or typed on a computer, are microcosms of Earth’s own generativity. As AI increasingly does work for us, she wonders if we are closing ourselves off from the intelligence of the Earth.
Read the essay.
Illustration by Aldo Jarillo.

In 2022, during a field trip to Los Cedros cloud forest in Ecuador, mycologist Giuliana Furci, author Robert Macfarlane, legal scholar and More-Than-Human (MOTH) Life Collective founder César Rodríguez-Garavito, and musician Cosmo Sheldrake wrote and recorded “Song of the Cedars”: a composition made not just in the forest, but in conscious collaboration with it. This week, we return to a conversation between them that explores their time in the forest and their ongoing efforts to secure legal recognition for its role in creating the song. Interspersed with the track’s polyphony—toucan calls, cicada strings, and leaf chatter woven with human voices—this conversation invites you to listen to what true creative reciprocity with the Earth can sound like.
Read the transcript.
Photo by Robert Macfarlane.

In 2022, during a field trip to Los Cedros cloud forest in Ecuador, mycologist Giuliana Furci, author Robert Macfarlane, legal scholar and More-Than-Human (MOTH) Life Collective founder César Rodríguez-Garavito, and musician Cosmo Sheldrake wrote and recorded “Song of the Cedars”: a composition made not just in the forest, but in conscious collaboration with it. This week, we return to a conversation between them that explores their time in the forest and their ongoing efforts to secure legal recognition for its role in creating the song. Interspersed with the track’s polyphony—toucan calls, cicada strings, and leaf chatter woven with human voices—this conversation invites you to listen to what true creative reciprocity with the Earth can sound like.
Read the transcript.
Photo by Robert Macfarlane.