“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 4
Erin & Wes continue their discussion of four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine.
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34:36
“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 3
Erin & Wes continue their discussion of four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine.
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43:58
“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 2
Erin & Wes continue their discussion of four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine.
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38:24
“Where the Meanings Are” – Four Poems by Emily Dickinson
If only because of its seeming incongruity with a brain “wider than the sky,” the central fact of Emily Dickinson’s life has become her seclusion. As she wrote to Thomas Wentworth Higginson in 1869, “I do not cross my Father’s ground to any House or town.” Like the relatively modest dimensions of her poems, this self-imposed constraint—of the property line within Amherst, Massachusetts, then the Dickinson home itself, then her bedroom—proved no barrier to a cosmic poetic imagination which “went out upon circumference,” and to which no subject, tone, or emotion was foreign. Erin & Wes discuss four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine: numbers 340, 372, 320, and 477.
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52:34
The Weight of Memory in Hitchcock’s “Rebecca” (1940) – Part 2
Wes & Erin continue their discussion of the 1940 Best Picture winner "Rebecca," starring Joan Fontaine and Laurence Olivier.
Acerca de Subtext: Conversations about Classic Books and Films
Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.
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