The world's top authors and critics join host Gilbert Cruz and editors at The New York Times Book Review to talk about the week's top books, what we're reading ...
Book Club: Let’s Talk About Alan Hollinghurst’s ‘Our Evenings’
The novel “Our Evenings,” by Alan Hollinghurst, follows a gay English Burmese actor from childhood into old age as he confronts confusing relationships, his emerging sexuality, racism and England’s changing political climate in the late 20th and early 21st century. It’s the story of a life — beautifully related by a literary master whose 2004 novel “The Line of Beauty” won the Booker Prize and was named to the Book Review’s 100 Best Books of the 21st Century.Reviewing “Our Evenings” for us last year, Hamilton Cain wrote that the book “is that rare bird: a muscular work of ideas and an engrossing tale of one man’s personal odyssey as he grows up, framed in exquisite language, surrounding us like a Wall of Sound.”You can join our book club discussion in the comments here.We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
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Alafair Burke On Writing Crime Novels and Teaching Law
In Alafair Burke’s new thriller, “The Note,” three friends are vacationing together in the Hamptons when they have an unpleasant run-in with a couple of strangers and decide to exact drunken, petty revenge. But the prank they pull — a note reading “He’s cheating on you” — snowballs, eventually embroiling them in a missing-persons investigation and forcing each woman to wonder what dark secrets her friends are hiding.Burke joins host Gilbert Cruz and talks about how she came up with the idea for “The Note,” and how she goes about writing her books in general.“I always have a few ideas, just, like the setup in my head,” she says. “And then I also have characters in my head. They’re not aligned together initially. I might just be thinking about a character who’s interesting to me for various reasons. It might be the back story that’s interesting, or it might be a personality trait that’s interesting. And then I’ll have a setup, like, three women go on vacation and stir up some nonsense that gets them in trouble. And for me, when I can start writing is when — it’s almost like matchmaking: Oh, OK, if I take that character that I’ve been thinking about with that back story and that set of anxieties and I put her in this scenario, that’s going to get interesting.”
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
The world's top authors and critics join host Gilbert Cruz and editors at The New York Times Book Review to talk about the week's top books, what we're reading and what's going on in the literary world.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Listen to this podcast in New York Times Audio, our new iOS app for news subscribers. Download now at nytimes.com/audioapp
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