HISTORY This Week

April 3, 1851. A man who escaped slavery is grabbed off the streets of Boston and thrown into a carriage. He fights back, shouting to the crowd, but it doesn’t matter. Under a new federal law, even the North isn’t safe.

The Fugitive Slave Act has turned cities like Boston into hunting grounds. Freedom seekers are being captured, and ordinary citizens are being forced to help.

But across the North, resistance is growing. In Pennsylvania, a man named William Parker is building a network to fight back. When slavecatchers come to his door, that resistance explodes into violence.

How did one law push the country dramatically closer to war? And what happens when the people targeted by this law refuse to surrender?

Special thanks to  Dr. Iris Leigh Barnes, director of the Hosanna School Museum; Christy Coleman, public historian and museum executive; Kellie Carter Jackson,  chair of the Africana Studies Department at Wellesley College; and Jamahl Wimberley, who provided the voice of William Parker.

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March 29th, 1923. A new play opens in Berlin, and quietly changes the future. Onstage are workers who never tire, never complain, and never stop. They’re faster, stronger, and more efficient than humans in every way. They’re called robots.

A sci-fi play born out of war and industrialization sparks a global obsession and a lasting fear. Because from the very beginning, the robot wasn’t just a technological breakthrough. It was a rebellion waiting to happen.

How did a playwright invent the robot? Why did his idea spread so quickly? And what does it reveal about the way we think about the future of science?

Special thanks to Dennis Jerz, Professor of English and Media at Seton Hill University; John Jordan, author of Robots; and Jitke Cejkova, editor of R.U.R. and the Vision of Artificial Life.

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March 18, 1879. A crowd gathers around an indoor track in Brooklyn, NY, as an Irish immigrant named Bartholomew O’Donnell attempts a strange feat: walking 80 miles in 26 hours. Newspapers claim he’s eighty years old. Lap after lap, he circles the track: smoking a pipe, sipping hot tea, and pushing through the night.

O’Donnell came to New York thirty years earlier, fleeing the Great Potato Famine. Like many Irish immigrants, he spent decades doing manual labor and trying to get ahead in a city that often viewed newcomers with suspicion.

For generations, stories like his shaped how historians understood famine-era Irish immigrants.

In this special live episode recorded at the Tenement Museum ahead of St. Patrick’s Day, Sally speaks with historian Tyler Anbinder, author of Plentiful Country: The Great Potato Famine and the Making of Irish New York, about what new research reveals about the lives of Irish immigrants in America, and what their story can tell us about immigration today.

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Why did Orson Welles take on a murder mystery? Listen for yourself.

This week, we're sharing a special preview of Orson Welles and the Blind Soldier from the podcast Radio Diaries. In this series, we learn how Welles used his platform to shed light on a crime in a small, southern town. A crime that became a spark for the budding Civil Rights movement.

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March 10, 1949. Defendant Mildred Gillars arrives at a courthouse to hear her verdict. To trial-watchers, she’s known as Axis Sally—the American woman who broadcast Nazi propaganda from Berlin during World War II. In taunting tones, she spent years pushing anti-Semitic and anti-Allies messages aimed at weakening the morale of American soldiers. But Gillars insists that she’s misunderstood, even innocent. That she’s an artist, she loves her country, and was forced to do what she did… or die. How did a struggling actress from Maine become a potent weapon of the Nazis? And is there a way to understand the choices that she made?

Special thanks to our guests, Richard Lucas, author of Axis Sally: The American Voice of Nazi Germany, and Michael Flamm, professor of history at Ohio Wesleyan University. Thanks also to the Veterans History Project at the Library of Congress.

** This episode originally aired March 6, 2023.

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