Fresh Air

Johnson says he’s not shy about sharing his insecurities on
stage. "One of the most connected attributes of the human condition
... is just being flawed," he tells Terry Grosss. "We really
connect with people on their faults." Johnson’s new comedy special
is Symphony.

 

Also,
Martin Johnson reviews ELEPHANT, a new album by jazz trumpeter Adam
O'Farrill.

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O'Connor stars as a cybersecurity expert who decides the
world deserves to know the truth about alien life in the Steven Spielberg film Disclosure
Day. He speaks with Tonya Mosley about preparing in secret to star in the
summer Blockbuster, why he initially had no interest in playing Prince Charles
in The Crown, and why he gets sick after completing almost every role.

David Bianculli reviews new documentaries about Martin Short and Lorne
Michaels.

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The biggest World Cup ever starts this week. Laura Williamson, editor in chief of The Athletic, describes how sky-high prices, travel restrictions, politics and the Ebola outbreak are impacting fans. Williamson also discusses President Trump’s UFC event on the White House lawn.

Ken Tucker reviews Kacey Musgraves’ album ‘Middle of Nowhere,’ which he says pairs well with the music biography ‘Gary Stewart: I Am From the Honky-Tonks.’

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Fifteen years after ‘The Book of Mormon’ made its Broadway debut, original cast members Andrew Rannells and Josh Gad once again took the stage as Mormon missionaries — this time at the 2026 Tony Awards. Created and written by Trey Parker and Matt Stone (the duo behind ‘South Park’), along with veteran Broadway composer Robert Lopez, ‘The Book of Mormon’ follows two young missionaries sent to try and bring Mormonism to a Ugandan village. The musical is a satirical — sometimes affectionate, sometimes offensive — look at Mormonism and youthful naïveté. Rannells and Gad spoke with Terry Gross about their first impressions of the show, mishaps onstage, and regretting their decision to leave when they did. 

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Maggie O’Farrell wrote the novel ‘Hamnet’ and co-wrote the screenplay for the film adaptation. She has a new book called ‘Land,’ about a father and son mapping 19th-century Ireland after the devastation of the Great Famine. 

Book critic Maureen Corrigan reviews the latest by classics scholar Mary Beard.

Also, we hear from historian Elizabeth Stordeur Pryor. She has spent much of her career tracing the N-word through slavery, Jim Crow, the civil rights movement, and hip hop. For a long time she kept it a secret that her father was Richard Pryor, the man who put the word at the center of American comedy. "I was a scholar of the N-word — and so, obviously, is he." Her new book is ‘Something We Said: Richard Pryor, a Notorious Word, and Me.’ 

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