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Instant Classics

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Instant Classics
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  • Underneath The Toga
    Can it really have taken seven episodes of Instant Classics to get to everyone’s favourite Roman meme: the toga party? Mary and Charlotte grasp the thistle - or rather the sinus (fold at the front of a toga) - and ask what exactly is a toga? Who wore them and when? And how do you make one?  In this fact-filled episode, we discover that - despite the antics of students around the world today - a toga wasn’t a bed-sheet turned into a sort of cheap tunic for getting blind drunk in, but an elaborate, woollen garment more like a cloak or robe that signified power. We find out how many kilometres of woollen thread were necessary to make a toga, where the word ‘candidate’ (as in political candidate) comes from and which Roman emperor wore platform shoes to make himself look taller.  As they go deeper into the folds of the toga, Mary and Charlotte reveal how wearing one was about much more than looking smart but got to the very essence of what it meant to be Roman.  And… in case you’re wondering… one of our hosts has been to a toga party. But can you guess whether it’s Mary or Charlotte?  @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: [email protected] Mary and Charlotte recommend some further reading Roman dress has been a bit of a boom area of study recently. Mary Harlow explains many of the practical aspects (including a fun video showing how to actually put one on) here: https://romanleicester.com/2020/06/30/dress-to-impress/ There is good, accessible stuff on the rights and wrongs of toga-wearing here: https://pressbooks.bccampus.ca/unromantest/chapter/the-roman-man-and-the-toga/ More specialised:  Camilla Ebert, Sidsel Frisch, Mary Harlow, Eva Andersson Strand and Lena Bjerregaard (eds), Traditional Textile Craft: An Intangible Cultural Heritage? (Centre for Textile Research, University of Copenhagen, 2016) Judith Lynn Sebasta and Larissa Bonfante (eds), The World of Roman Costume (Wisconsin UP, pb, 1994)  Jonathan Edmondson and Alison Keith (eds), Roman Dress and the Fabrics of Roman Culture (University of Toronto Press, 2008)  If you want to follow up some ancient writers:  the phrase ‘the race that wears the toga’ is from Virgil, Aeneid 1, 282;  Augustus’ rules on wearing togas in the forum are mentioned at Suetonius, Augustus 40; Augustus keeping a handy toga at home at Suetonius, Augustus 73; Claudius’ rules in the court case at Suetonius, Claudius 15. There is a full translation of Tertullian’s (baffling) On the Pallium online here: https://www.tertullian.org/articles/hunink_de_pallio.htm Instant Classics handmade by Vespucci Producer: Jonty Claypole  Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • Cassandra: Prophet Of The Modern World?
    Who was the mythical Cassandra and why have pop stars started singing about her? Mary and Charlotte turn sleuth and track the elusive Trojan princess through the pages of ancient texts - from Homer’s Iliad to Virgil’s Aeneid.  Today, Cassandra is most famous as a prophetess who could predict the future, but was cursed to never be believed. As a result, Troy burned and Agamemnon and Cassandra herself were murdered. Generally, that disbelieving was done by men. No wonder people talk of Greta Thunberg as a modern day Cassandra, or that Taylor Swift and Florence Welch have positioned her as a pin-up girl for misunderstood (female) celebrities.  But, with the greatest respect to Taylor and Florence, Mary and Charlotte think Cassandra is rather more interesting than that. From her warnings about the Trojan Horse right through to her very nasty end at the gates of Mycenae, Cassandra’s story tells us about the limitations of human communication and language more generally. That, not just because she said ‘I told you so’, is why she stays with us, meaning different things at different times.  @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: [email protected] Mary and Charlotte recommend some further reading We focus on Cassandra’s role in Aeschylus’ play Agamemnon in the moments leading up to her death (easily available in translation in eg Penguin Classics or Oxford World’s Classics series). Euripides’ Trojan Women (likewise easily available in translation) takes the women who appear at the end of the Iliad – Hecuba, Helen, Andromache and Cassandra – and asks: “What happened to these women after Troy fell?” Lesya Ukrainka’s 1908 dramatic poem Cassandra, translated by Nina Murray (Harvard Library of Ukrainian Literature, 2024), a classic of Ukrainian literature now available in English, brilliantly puts Cassandra at the centre of her own story. A philosophically rich and very moving text. Emily Hauser, Mythica (Doubleday, 2025; Penelope’s Bones in the USA) explores the figure of Cassandra from “real” early Greek women prophets to Ukrainka’s version. The rape of Cassandra at the end of the Trojan War was a “favourite” subject for Greek artists. Try: https://www.britishmuseum.org/collection/object/G_1824-0501-35 Or https://www.britishmuseum.org/collection/object/G_1873-0820-366 Or (from the walls of Pompeii) https://upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Ajax_drags_Cassandra_from_Palladium.jpg/960px-Ajax_drags_Cassandra_from_Palladium.jpg Instant Classics handmade by Vespucci Producer: Jonty Claypole  Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • How did Rome begin?
    We all know what Rome became - largest empire of the ancient world, public bathing, gladiators, aqueducts, excellent roads and all that - but how did it begin? Who founded it? When? And why? Mary and Charlotte sift through the various myths that give some insight to these questions.  Peel back the layers of history and Rome’s origins are lost in the bog on which it was built. Archaeology offers us evidence of Bronze Age huts, burial practice and trade with neighbouring (and far-flung) lands, but leaves many of the big questions unanswered. This is a problem not only for classicists, but the countless men who apparently think of the Roman Empire several times a day. The Romans themselves struggled with their murky history. Even for them, the question of why they had risen to such extraordinary power was puzzling. The thought of humble origins sat uneasily with the grandeur and pomp of the imperial capital. So they did what many other cultures do and made up stories that explained their path to greatness.  If you’ve heard of outcast babies Romulus and Remus being suckled by a wolf, that’s just the icing on the cake. Accounts of the Romulus myth vary wildly. In some versions, he eventually ascends to heaven as a god. In others, he is hacked to death by his disgruntled subjects.  Other myths point elsewhere. The “Roman race” in Italy was founded by a Trojan exile called Aeneas, although he didn’t actually found the city of Rome itself. Maybe, that was a Greek called Evander, long before Romulus.  It’s easy to dismiss these stories, but Mary and Charlotte argue that they tell us a great deal about how the Romans understood themselves and their city (whether there is some grain of literal truth in them, who knows?). Most of all they point to the way that, at some deep level, they considered themselves to be an immigrant culture - outcasts, exiles and opportunists - searching for a better life.   @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: [email protected] To join the Instant Classics Book Club and share our trip into Homer’s Odyssey, go to  https://instantclassics.supportingcast.fm/ Mary and Charlotte’s recommended reads: There are many ancient accounts of the origins of Rome. Best known is Book 1 of Livy’s History of Rome which tells the story from Romulus to the last of the seven early kings (translations in Penguin Classics or Oxford World Classics, as The Early History of Rome and The Rise of Rome).  For Aeneas, try Virgil Aeneid Books 2 and 8. Book 2 takes us to Aeneas’ flight from Troy. Book 8 pictures Evander, who is then living there, showing Aeneas around the future site of Rome).  The beginning of Mary’s SPQR, written for non specialists, busts a few myths about the origins of the city. The Italian archaeologist Andrea Carandini takes a completely different approach. Try his (short) Rome: Day One. Interesting, but rather more specialist, books are: Catharine Edwards, Writing Rome (she is very good on the “Hut of Romulus” which supposedly was authentically preserved in Rome for hundreds of years); T. P. Wiseman, Remus (which has an off-beat line about the role of Remus in Roman history, but gives an eye-opening account of all the very different Roman traditions about the world and twins). Instant Classics handmade by Vespucci Producer: Jonty Claypole  Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • Decoding The Parthenon
    The Parthenon is one of the most celebrated and recognisable buildings in the world, but what did it mean to the Ancient Greeks? What role did it play in Greek society? And what did it look like in its heyday? Together, Mary and Charlotte decode the Parthenon.  By happy coincidence, Mary is not just co-host of Instant Classics, but author of Charlotte’s favourite book on the subject: The Parthenon (Profile/Harvard University Press, 2002). In this episode, Mary and Charlotte pick their way through the stones of Parthenon, beginning with its construction in the middle of the 5th century BCE. The building work only took fifteen years (significantly faster than medieval cathedrals), but demanded a huge amount of labour, both enslaved and free.  Today, the Parthenon looks austere, pale and hardly decorated. A simple monument from a simpler age, perhaps. But what we see bears little relation to what the Greeks saw - and the building, its function and decoration retain many mysteries. For instance…  It was built as a temple to the city’s patron goddess Athena, but who was Athena and what exactly went on in a ‘temple’?  We know that it was painted and covered in sculptures - some of which survive - but whether the painting was subtle or gaudy is hard to say, while the significance of some of the sculptures continues to elude us – some of it was hardly even visible from the ground.  Inside, there were two rooms: one housed a giant, golden statue of Athena; the other was a treasury filled with riches. But where did all this loot come from and how was it guarded?   Finally, if you are lucky enough to visit, what is the best time of day to go and – is it really worth it – or are you better off going to the beach?  Find out the answer - or possible answers - to these questions in Decoding the Parthenon.  @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: [email protected] To join the Instant Classics Book Club and share our trip into Homer’s Odyssey, go to  https://instantclassics.supportingcast.fm/ Mary and Charlotte’s recommended reads: Sorry to repeat the recommendation for Mary’s book, The Parthenon. But there’s more. You can find Pausanias’ second-century CE description of the temple in his Description of Greece I, 24, 5 ff (online here: https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.01.0160:book=1:chapter=24) And various criticisms of the project are noted (again in the second century CE) by Plutarch in his Life of Pericles chap. 31 (online here: https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0055%3Achapter%3D31) Even introductions to Greek religion for general readers can get pretty technical. There is a reasonably accessible discussion of the idea of the temple, in Simon Price, Religions of the Ancient Greeks (Cambridge, 1999). Instant Classics handmade by Vespucci Producer: Jonty Claypole  Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • Free Speech - An Ancient History
    In the wake of recent conflicts over free speech and acts of political violence, Mary and Charlotte discuss how - then as now - free speech dominated the political agenda in the ancient world, with wildly different interpretations about what it meant and who got to decide.  They discuss two distinct, yet complimentary principles in Ancient Athenian democracy: Parrhesia (free or frank speech) and isegoria (the equal right to speak). In theory, parrhesia preserved the right to speak truth to power, including the scandalous sexual jokes about public figures which pepper the comedies of the Greek stage. Tolerance of these plays suggested the Athenians generally recognised the validity of frank speech - and one of the state warships was even named parrhesia.  Isegoria embodied the principle that any free man had an equal right to participate in public discourse, although in practice this was rarely the case. Polished public speaking came with a good education and those who lacked it could be physically silenced.  The principles of free speech and equality are deceptively simple, and - as with today - interpretation and implementation varied wildly, depending on who held power. The life and death of the philosopher Socrates provides an interesting case study. He is often celebrated as a martyr of free speech, dying in its name, but on closer examination this isn’t exactly what happened.  They also look at free speech in Ancient Rome and the sobering story of Cicero’s final hours, in which his tongue - allegedly - was stitched into silence.  Join the Instant Classics Book Club here: https://instantclassics.supportingcast.fm/ Mary and Charlotte recommend some further reading Plato’s version of Socrates’ response to the charges against him is found in his Apology of Socrates (this, like all ancient works we mention here, is widely available in translation in print and online). NB in Greek apologia means “defence” not “sorry”.  An important debate in the Athenian assembly that we reference in our discussion (on how to punish the people on Mytilene) is described by Thucydides, History of the Peloponnesian War  Book 3, 36ff. The story of Cremutius Cordus is told in Tacitus Annals Book 3, 34-5; that of the tongue of Cicero by Cassius Dio, History of Rome Book 47, 8. Emily Wilson, The Death of Socrates (Profile/Harvard UP, 2008) is a good introduction to the issues of free speech in 399 BCE and their legacy. Content warning: references to political violence both in the ancient world and in the past week, and mild sexual innuendo.  @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: [email protected] [To join the Instant Classics Book Club and share our trip into Homer’s Odyssey, go to  https://instantclassics.supportingcast.fm/ New episodes will be published every other Tuesday, and available exclusively for members beginning 30th September. Sign up now with the promo code EARLYBIRD25 to receive a 25% discount on membership.]  Instant Classics handmade by Vespucci Producer: Jonty Claypole  Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Join world-renowned classicist Mary Beard and Guardian chief culture writer Charlotte Higgins for Instant Classics — the weekly podcast that proves ancient history is still relevant. Ancient stories, modern twists… and no degree in Classics required. Become a Member of the Instant Classics Book Club here: https://instantclassics.supportingcast.fm/

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