New Books in Islamic Studies

Mary, the mother of Jesus, has been historically revered throughout the Islamic tradition. This began already in the Qur'an, where she is called by the name "Maryam." The Islamic Mary: Maryam Through the Centuries (Fortress Press, 2025) examines the varied appearances of Maryam in different Islamic cultural and theological contexts. The chapters in this history extend from Maryam's scriptural mentions in the Qur'an and the biography of the Prophet Muhammad, her appearances in medieval debates regarding prophecy, citations of her virtuous model in Sufi discussions of piety, presentations in art and film, through to her role in modern interfaith relations.

Younus Y. Mirza is the Founding Director of the Barzinji Institute for Global Virtual Learning at Shenandoah University. He defended his dissertation in Arabic and Islamic Studies from Georgetown University and has taught at Millsaps and Allegheny Colleges. His research focuses on the relationship between the Bible and the Qur’an and the shared stories between them

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England.

A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides
the first full English translation of Begum Sarbuland's Urdu travel
diary from this journey, of which only three original copies remain.
Originally intended for circulation among friends and family and later
published, her informal entries not only reveal the everyday practices
of an Indian woman of her time, but also detail her impressions and
reactions as she explored the world alongside her husband. As Begum
Sarbuland encountered other women and Muslims during her travels, those
encounters shaped her reassessment of her own identity as a Muslim
woman. Her observations hold continued significance for readers
interested in critical questions about gender, Islam, and identity.
Daniel Majchrowicz has thoroughly annotated his translation and paired
it with rich appendices, including a biographical sketch of Begum
Sarbuland and excerpts from Hamidullah Khan's own accounts of their
journey.

Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London
restores the nearly forgotten narrative of one of India's first Muslim
women travel writers to its rightful place in Indian and Islamic
history.
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In this conversation, we are entering an Indian Ocean world connected
by steamships, telegraphs, pilgrimage routes, and print. From Bombay
and the Gulf to Cairo and Mecca—and onward to Moscow and
Geneva—merchants, scholars, activists, and political exiles debated a
question that still feels urgent: how can different communities live
together without being reduced to permanent majorities and minorities?

Bombay
sits near the center of our story. Under British rule, it was a major
imperial port. But it was also a meeting place where Indian Ocean
merchants financed publications, hosted traveling scholars, and helped
ideas cross borders.

At the same time, British censuses and
representative politics produced a striking paradox. South Asia
contained the world’s largest Muslim population, yet Muslims were
increasingly classified as a political minority within India.

Dr. Roy Bar Sadeh
is a historian of modern South Asia and the broader Islamic world,
joining the University of Oxford in September 2026 as an Associate
Professor in the Faculty of History and at St Antony’s College. He is
currently a Lecturer at the University of Manchester.

His many articles and forthcoming book with University of Chicago Press, Muslims and the Minority Question: A Global History of South Asia, 1856–1947, follow
the people who refused to accept that minority label as their political
destiny. Along the way, we’ll talk about food and language, Gulf pearl
merchants and printing presses, rival plans for Mecca, an unlikely
Soviet-Saudi partnership, and the search for protection beyond the
nation-state.

Host: Dr. Ahmed Y. AlMaazmi, an assistant professor of history at New York University Abu Dhabi.

Co-host: Dr. Mohammed Alsudairi,
a Lecturer of Politics and International Relations of the
Arabic-speaking world at the Centre for Arab and Islamic Studies at the
Australian National University.
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Following Napoleon Bonaparte’s 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d’Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it.

Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East.

Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff.
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Rahim Thawer and Maryam Khan's new edited volume Queer and Muslim: On Faith, Family and Healing (U Regina Press, 2026) is a powerful anthology that brings together writers, activists, and scholars who meditate, reflect, and share stories of queer Muslim life, that contains the complexity of rage, grief and resilience but also joy, love, and healing. In the process, Thawer and Khan deconstruct the limitations of western centric formulations of mental health and wellness, which is often individualistic and commodified, and invite readers to think through a decolonial approach that honours Muslim spirituality, religiosity, and culture, which can help us shift towards collectivistic and liberatory goals of healing. This anthology is a great resource for those who are mental health practitioners, and relevant to those who think about gender, sexuality, and Islam.
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