New Books in Art

Inspired by Richard Wagner’s idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova’s At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth.

Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle.

Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers.
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In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States.
The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein’s experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world.
Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.
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Is culture good for you? In Art Cure: The Science of How the Arts Save Lives (Cornerstone Press, 2026) Daisy Fancourt, a Professor of Psychobiology & Epidemiology and head of the Social Biobehavioural Research Group at University College London offers a comprehensive and compelling argument for the ways arts and culture offer health and social benefits for individuals and societies. The book offers both the evidence for the benefits of arts and culture, whilst at the same time showing how many people and places are missing out and excluded from the positive impact of engagement and experiences. A powerful call for the importance of art and culture, backed by a blend of rigorous scientific and medical evidence, as well as engaging personal stories and narratives, the book is essential reading across the arts, humanities and sciences.
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How do we compare across languages, media, and histories, all without flattening differences? And what might Hong Kong teach us about doing comparison differently?

Alvin K. Wong examines these and other questions in Unruly Comparison: Queerness, Hong Kong, and the Sinophone (Duke UP, 2025), a wide-ranging and thought-provoking study of queerness in Hong Kong. Bringing together Sinophone literature, independent and commercial cinema, documentary films, and visual art, the book asks how Hong Kong’s queer productions might help us rethink the work of comparison itself.

Rather than treating Hong Kong as a marginal or derivative space — a space defined by British colonialism, China-centrism, or global capitalism — this book approaches the city as a site of methodological possibilities. The key concept the book advances, “unruly comparison,” replacing neat equivalences and stable categories with incommensurability and transnational connections and linking Hong Kong to other places, times, and queer spaces across the Sinophone.

Theoretically deft, the book is filled with a wide range of fascinating material, including work by filmmakers including Wong Kar-wai, Scud, and Fruit Chan; transnational and transgender visual cultures; documentaries about Southeast Asian domestic workers and queer intimacies; and poetry about language and precarity.

This book will appeal to those interested in queer theory, Hong Kong studies, Sinophone studies, and comparative approaches. Listeners should also check out Alvin Wong's co-edited volume Keywords in Queer Sinophone Studies(Routledge, 2020) and the Society of Sinophone Studies webpage (of which Alvin is currently chair!). 
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