GriGris, with Malcolm Harris and Anselm Kizza-Besigye
Earlier this month, Film Comment hosted the author Malcolm Harris for a special event celebrating the launch of his latest book, What’s Left: Three Paths Through the Planetary Crisis—an invigorating analysis of climate change and the collective solutions required to rescue humanity from it. In addition to being a trenchant public intellectual, Harris is also a dedicated cinephile who often uses movies to make sense of politics and history—something we explored on a 2023 Podcast focused on his previous book, Palo Alto: The History of California, Capitalism, and the World.
One film Harris discusses in detail in his latest book is Chadian director Mahamat-Saleh Haroun’s GriGris. It’s a sensuous, suspenseful thriller about a disabled dancer in Chad who takes up petrol smuggling in order to pay for his stepfather’s medical expenses. As Harris describes in his book, it’s also an incredibly intelligent movie about the life-and-death stakes of the petrochemical industry, especially in the Global South. To dig deeper into Harris’s unique attraction to the film, Film Comment Editors Devika Girish and Clinton Krute invited him to present a screening of GriGris, followed by a panel discussion with Harris and Ugandan scholar Anselm Kizza-Besigye. The group dug into movie’s alluring classical structure and its explosive conclusion, cinematic portrayals of the climate crisis, and much more.
--------
40:33
Familiar Touch, with Kathleen Chalfant and Molly Haskell
One of our favorite movies of 2025 so far is Sarah Friedland's debut feature Familiar Touch, which opens in theaters in New York on Friday, June 20. The film follows an octogenarian with dementia, played by Kathleen Chalfant, as she settles into her new life in a nursing home. It’s a delicate, touching, and surprising work that evades clichéd depictions of elderly people—thanks in part to the collaborative process through which it was made. The film was shot in a real care facility in Pasadena, with residents participating in the production process and appearing in the film.
Chalfant, a stalwart of the New York stage, anchors the film with a towering performance. On today’s episode, Film Comment invited Molly Haskell, herself a stalwart of American film criticism, to interview Chalfant, after learning she was particularly impressed by Chalfant’s work in the film. Their fascinating conversation touches upon depictions of aging onscreen, Chalfant's preparation for the role, how the film resists sentimentality, and more.
--------
34:13
Cannes 2025 #10, with Eduardo Williams, Brett Story, and Zoya Laktionova
For the last two weeks, our on-the-Croisette crew of Film Comment contributors has been reporting from the 2025 Cannes Film Festival with a series of thoughtful dispatches, interviews, and Podcasts.
Before the festival wrapped on May 24, Film Comment partnered with Cannes Docs, the nonfiction-focused section of the Marché du film, on a panel titled “The Voice of Documentary.” Moderated by FC Editor Devika Girish, the panel convened three practitioners of radical nonfiction—Eduardo Williams (The Human Surge 3), Brett Story (Union), and Zoya Laktionova (Ashes Settling in Layers on the Surface)—to unpack the ethical and practical ways in which documentaries use sound, voice, and audio to speak to us and shape us as listeners.
528861
--------
52:20
Cannes 2025 #9, with Justin Chang, Tim Grierson, and Alison Willmore
Cannes 2025 is wrapping up this weekend—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts.
For our ninth episode from the sunny shores of southern France, all-star critics Justin Chang, Tim Grierson, and Allison Willmore join Editor Devika Girish for our final on-the-ground panel conversation from this year’s edition. The four dig into two of the most anticipated films from the festival’s later days, including Bi Gan’s Resurrection (4:30) and Kelly Reichardt’s The Mastermind (26:10), before touching on some heretofore undiscussed competition selections: Wes Anderson’s The Phoenician Scheme (45:00), Saeed Roustayi’s Woman and Child (46:25), the Dardenne Brothers’s Young Mothers (50:40), and Mario Martone’s Fuori (1:02:05).
Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.
--------
1:10:10
Cannes 2025 #8, with Beatrice Loayza, Giovanni Marchini Camia, and Abby Sun
Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more.
For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier’s Sentimental Value, Carla Simón's Romería, Oliver Hermanus’s The History of Sound and Nadav Lapid’s Yes.
Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.
Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.
Colombia