Co-hosts Eileen and Dolores agree that Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER is a must-see movie and a model for American filmmaking right now. An adaptation of Thomas Pynchon’s 1990 novel VINELAND, ONE BATTLE makes brilliant use of such dynamic genres as action, dark comedy, and the political thriller to drive this depiction of an aging radical leftist in hiding, hilariously played by Leonardo DiCarprio, who’s trying to protect his teenage daughter from his past. Then they’re targeted by rightwing political forces led by the repulsive Col. Lockjaw (Sean Penn) and compelled to go on the run. Don’t miss it!
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Darren Aronofsky CAUGHT STEALING a Good Time
New Filmsuck episode! Dolores and I enthuse about CAUGHT STEALING. It's doing pretty badly at the box-office, though it's a timely dark comic noir of chaotic working class life, and Austin Butler has a delightful co-star in the cat actor playing Bud.
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Straying into Documentaries
Special guest Asali Echols, documentary filmmaker, talks to me about the current state of documentary films. We discuss a recent trend toward reviving the strict "observational documentary," led by filmmakers like Elizabeth Lo, whose breakthrough film was the dog's-eye-view movie STRAY (2020). Her upcoming new doc MISTRESS DISPELLER, about a "love industry" in China involving wives hiring undercover operatives to break up the relationships of husbands and their mistresses, tests the limits of Lo's "observational not interventionist" documentary filmmaking ethics. https://www.patreon.com/posts/straying-into-136099786
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Cracking Ourselves Up: Self-presentation in Onscreen Comedy: PEE-WEE AS HIMSELF
New Filmsuck episode! While Dolores is making the world safe for opera in Santa Fe, I'm talking to my friend M Dalebout, whose area of scholarly expertise is identity construction in onscreen comedy. We start off with the 2025 HBO Max documentary PEE-WEE AS HIMSELF!
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How Much is TOO MUCH?
New Filmsuck episode! I rage against Lena Dunham, who cursed us all with GIRLS and is back doing further harm to impressionable minds everywhere with her new, semi-autobiographical Netflix romantic comedy TOO MUCH. Dolores has a more measured reaction to this low-stakes entertainment about an arrested development case played by Megan Stalter (HACKS) who tries to get over a bad breakup by relocating from Brooklyn to London and immediately starting a messy relationship with an indie rocker played by Will Sharpe (WHITE LOTUS 3).How high is your Lena Dunham tolerance?
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A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley.
In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses?
In short, what is to be done when film sucks?
Colombia