The Ugly American Werewolf in London Rock Podcast

1971 proved to be an amazing time for Yes. After completing their first successful tour of America with new guitarist Steve Howe, the band were charged up and ready to record. In fact, they felt they could make a double album and encouraged each band member to write their own solo effort for the record. But they also enlisted to gentlemen who would forever change and enhance the sound and image of Yes.

Rick Wakeman joined from the Stawbs and although he was still beholden to a record contract that kept him from adding any official writing contributions to the album, Rick was happy to be part of such a dynamic band. And Roger Dean created his first cover for the band, a collaboration that continues to this day with his otherworldly creatures and landscapes. Both left their indelible marks on the band and helped Yes reach new heights.

Kicking off with the radio hit Roundabout the band shows they can play radio friendly fare (even if they had to slice 5 minutes off the album version to create the single) and they do so again with Long Distance Run Around. Southside of the Sky is a favorite among YesHeads and Heart of the Sunrise is an epic which gives all the boys a chance to show off their virtuoso skills. But the solo writes can be interesting whether it's the brief Five Percent of Nothing from Bill Bruford, the acoustic Mood For A Day from Steve Howe or the classically inspired Cans & Brahms from Wakeman, Yes show that they have talent to spare while taking us on a progressive rock journey.

Please also hear our review of Yes Live last year as they performed Fragile in its entirety which gave The Wolf a new and deeper appreciation of this 1971 classic.

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Oasis stunned the world when they announced that after 15 years, the Gallagher brothers - Liam and Noel - were reforming the band for a stadium tour of the world. The always tempestuous siblings were always having a row, barking at each other and propping up themselves as the best thing in the world. But after a backstage pre-show fight in Paris, the tour was not only cancelled but the two didn't speak for 15 years.

Your heroes attempted to get in on the action both in the UK and the US and were shutout. While there may still be a chance for The Wolf and Action Jackson to catch Oasis together in 2027, we figured the next best thing would be to review the recently released documentary, Don't Look Back In Anger.

It chronicles how the band rose, fell and split, then decided out of nowhere to do the big reunion. And while the music was as good as ever, it's fascinating to hear Noel talk about not being able to see himself onstage with Liam ever again, wondering if this is really going to work. We hear from fans around the globe sharing their stories of how Oasis empowered them to believe in themselves and celebrate their return with unbridled joy. You know we're suckers for a good rock n roll doc and this one doesn't disappoint but there is still one question left unanswered.

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After the success of Woodstock 94, where the only real problem was rain that made everyone and everything muddy, organizers thought they could make more money 5 years later. But because of all that mud, there was no way to move port-a-potties or more supplies into the farm where the event took place. So they figured a shuttered military base would provide all the roads and infrastructure they would need to put on a solid event. And while they may have been prepared for rain, they were totally unprepared for the 100 degree temperatures which cooked the crowd.

Enter Mistress Carrie, Boston radio legend from WAAF and our Pantheon Podcasts sister, who had attended Woodstock 94 as a recent college grad and had a ball. 5 years later, she's the night DJ on WAAF and plays the music of the hard rock and nu metal bands of the day - Korn, Limp Bizkit, Kid Rock and more. Carrie and her crew needed to cover the event but because a rival station in their market was owned by the company that owned MTV - who retained exclusive broadcasting rights - WAAF was not allowed to be there in any professional capacity.

So Carrie got an RV sponsorship for her and team, stocked it full of all necessary supplies and headed out to document the festivities in Rome, New York. Anyone who was there or who saw the documentary on Netflix saw the chaos of heat, overpriced water and food, multi-hour lines for basics and the assaults on women. But Carrie and her team had an RV with a shower and A/C so they at least had refuge from the heat and madness. Hear stories of Carrie shutting down hecklers, enjoying some amazing performances by the biggest bands of the day and the heroics of Otto the bus driver who somehow got them out of there and back to Boston in time to tell the story on the air Monday morning. It's an epic tale of survival, love, rock n roll and madness from 1999!!!

Visit Mistress Carrie's website: https://mistresscarrie.com/

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On episode 170, The Wolf hoped that would be the last time he saw Journey live. The band weren't the same lineup and performance-wise as they once were and the tickets were too expensive. But the tix were a gift for him and the Wolf Cub as she is a HUGE Journey fan (and Toto opened for them that night). The Wolf saw it as a check the box, took the kid to see her band and now I never have to do that again. The one regret he had was not informing her before the show that Steve Perry is no longer the lead singer (He's a replacement!??!!#@!).

Now Journey are on their Final Frontier Tour where they claim to be hanging it up once they complete this run of shows. As they were coming to town and the Wolf Cub wanted to see them again since we left before the end last time, The Wolf caved and agreed to take here. Same venue, better seats but now it's an evening with Journey - no opening act.

Though the crowd was happy they were very old, didn't make much noise or stand up much and there were more than a few empty seats. The screens were cool and had offered great artistic backdrops and video of the band while they performed. They gave us 29 songs (including some unnecessary solos) and played for nearly 3 hours. But the mix was off so The Wolf couldn't hear Neal Schon who played very well. Arnel Pineda, brought in almost 20 years ago to save the band and take them to new heights, is now older himself with gray hair and bit of rasp in his voice.

While the Wolf Cub had a blast singing along to her favorite tunes, the 70 and 80 year olds behind her saw fit to boo after certain songs. Who does that? Why were they booing? We'll take you through all the ups and downs of a Journey live show and what should be (but probably won't) their last tour.

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1976 saw KISS take the world by storm. ALIVE! had just gone platinum and their studio follow-up Destroyer heralded in live classics like Detroit Rock City, God of Thunder, Beth and Shout It Out Loud. But anyone who works their @ss off to be successful knows that the really hard work begins once you achieve some success. And KISS found themselves in a theater 20 miles out of NYC recording Rock N Roll Over six months after the release of Destroyer. To make the most of their three week recording window, the boys reworked songs from previous sessions or even pre-KISS bands like Baby Driver from Peter Criss (and former bandmate Stan Penridge).

Though Bob Ezrin helped them branch out into different musical styles, the boys wanted a harder hitting album with a less abrupt leadership style so they chose Eddie Kramer to record them in the round in an old theater. The results are heavy and raunchy just like you'd expect from KISS. Simmons offers up some delightful demon-y tracks like Calling Dr. Love, Love 'Em and Leave 'Em and Ladies Room with his lascivious snarl. The Starchild may have more mainstream sounds but just as tawdry with Take Me and Makin' Love. But Peter Criss had the big hit on Destroyer so not only did he write and sing on Baby Driver, but the Rod Stewart inspired Stanley penned Hard Luck Woman hit 15 in the US charts. While there are no writing contributions from Ace and he doesn't outdo himself on most of the solos - sometimes he was unavailable, sometimes he wasn't capable - but there are a few bright spots for the loyal members of the Ace Cult.

We talk legacy, band dynamics, where it lands in the KISS catalog and take a look at the ads for the 50th Anniversary box set which looks amazing.

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