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Microdramas are taking over the internet. But are they art – or products?

The Double Life of My Billionaire Husband. Break Me, Princess. Married the Mafioso I Saved. These are all titles of microdramas that are taking the internet by storm. In case you haven’t heard, microdramas are often campy shows with short, minute-long episodes. The first few episodes get posted to social media for free, but viewers must go to another site where they can pay to watch the whole thing. And a lot of people do. It's an industry that started in China and is already worth several billions of dollars – so Hollywood is getting in on it. Issa Rae’s microdrama called Screen Time got nearly 75 million views in its first week, and now, Peacock, Fox, and Disney are producing their own. But this microdrama boom raises a few questions: who are these stories for, and what makes them so popular? And is the microdrama a new art form – or is it solely a product?

Brittany is joined by Chang Che, a freelance writer who wrote about microdramas for The New Yorker, and Xochitl Gonzalez, author and contributor at The Atlantic, who wrote about them there.

(00:00) The rise of the microdrama
(03:14) Hollywood lacks chemistry - microdramas have that in spades.
(07:32) Who are microdramas for?
(11:33) Are microdramas art - or products?
(16:46) Are marginalized actors and writers being shunted into microdramas?
(20:47) The AI boom in microdramas

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Sepideh Moafi wants you to get raw with your emotions.

Season 2 of HBO Max’s original series, The Pitt, brings a new doctor into the fold: Dr. Baran Al-Hashimi. An Iranian-Iraqi attending physician, she brings empathy and discipline into the chaotic ER that viewers have come to love. While she ruffled some feathers at first, her commitment to her fellow doctors and patients has made her a fan favorite.

That’s all thanks to Sepideh. Her performance as Dr. Baran Al-Hashimi has earned her an Emmy nomination for outstanding supporting actress in a drama series. The nomination makes her the first Iranian woman and the first woman of Middle Eastern or SWANA - Southwest Asian, North African - descent to get nominated in the category.

Sepideh joins the show to unpack how her journey as an opera singer and a human rights advocate led her to this historic moment.

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It seems like no one on Broadway is happy.

Actors are buckling under the weight of the eight-show week, producers aren't making their money back, and audiences are getting tired of paying astronomical ticket prices to see celebrities on stage. Is Broadway in danger of taking its final bow? To find out, Brittany is joined by Broadway sensitivity specialist Ann James, and entertainment lawyer and business journalist Marc Hershberg.

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The cultural supremacy of the influencer seems to be waning. 

For nearly a decade, they’ve become a fount of cultural commerce, affecting how to live, what to buy, and who to follow for advice. But a backlash – against everything from expensive shopping hauls to the very persona that built an influencer's brand – is leaving many questioning their cultural relevance. So what’s going on with influencers – or better yet – who’s going to replace them? To understand this cultural shift, we’re chatting with Ira Madison III, host of The Feedback with Ira Madison, to figure out what happens when the influencers lose influence.

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Have some people forgotten how to behave at music festivals?

Summer is peak music festival season, and that means many of us are braving huge crowds and sweltering heat to see a bunch of artists we love in one place. But is there a decline in social decorum in these concert settings? From using phones to being in the front row to navigating crowds, our friends at Pop Culture Happy Hour are sharing personal and passionate takes about music festival etiquette.

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