The Last Thing I Saw

Ep. 388: Margaret Barton-Fumo on Ladies and Gentlemen, the Fabulous Stains, Breaking Glass, Paying for It, 28 Days Later: The Bone Temple, plus early Mira Nair

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week, friend of the pod Margaret Barton-Fumo returns to talk about her recent writing on music-related movies. A critic and the host of the show No Pussyfooting on East Village Radio, she’s been writing booklets for Fun City Editions as well as contrib, and this time she brings a pair of movies about young female singers who suddenly capture the imagination of the public: Ladies and Gentlemen, the Fabulous Stains (1982, directed by Lou Adler) and Breaking Glass (1980, directed by Brian Gibson). Then she talks about some recent viewing: 28 Days Later: The Bone Temple (directed by Nia DaCosta), and the Canadian independent film Paying for It (directed by Sook-Yin Lee, adapting graphic memoir by Chester Brown). And I chime in with my recent viewing of Mira Nair’s early documentary So Far from India (1983).

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Photo by Steve Snodgrass

Ep. 387: Clyde Folley on VHS Forever: Videoheaven, 52 Pick-Up, Re-Wind, The Big Hit, Clerks, Ring, Lost Highway

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week Clyde Folley comes back the podcast to talk about the VHS series he programmed on the Criterion Channel: VHS Forever! (Exclamation point mine.) The selected movies feature video stores or video-recording or anything related to VHS culture, spanning the 1980s, 1990s, and 2000s—and culminating in Alex Ross Perry’s comprehensive video essay Videoheaven (which Folley also edited). Titles we discuss include: 52 Pick-Up (directed by John Frankenheimer), Re-Wind (Hisayasu Sato), The Big Hit (Kirk Wong), Ring (Hideo Nakata), Clerks (Kevin Smith), Lost Highway (David Lynch), and of course Videoheaven and its making.

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Photo by Steve Snodgrass

Ep. 386: Christian Petzold on Miroirs No. 3

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Christian Petzold’s latest film, Miroirs No. 3, comes to theaters on March 20 with the story of a young pianist, Laura (Paula Beer), who starts her life over unexpectedly when an older woman finds her by the side of the road and welcomes her into her family. I’ll leave the plot outline at that—but when I sat down with Petzold last year at the New York Film Festival, he was eager to talk about how he thinks through narrative and how Laura’s tale echoes the destructive upheavals of history. I was also able to talk about cinematic echoes in Miroirs with the director of, most recently, Afire as well as Phoenix, Transit, and Barbara, who continues to tell beguiling stories about people reconstructing who they are.

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Photo by Steve Snodgrass

Ep. 385: Patrick Dahl on People’s Park, Remember My Name, Margaret, The Pigeon Tunnel

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It’s my great pleasure to work on Screen Slate’s annual year-end poll, pulling together people’s ballots and Favorite First Viewings—movies they saw for the first time that year. A favorite Screen Slate critic of mine is Patrick Dahl, who’s not just a regular contributor, he’s the first to write for Screen Slate besides its founder/editor Jon Dieringer. So I was delighted to welcome Patrick to The Last Thing I Saw for the first time to talk about movies from his most recent Favorite First Viewings list at Screen Slate. Among the titles we discuss are People’s Park (J.P. Sniadecki and Libbie Dina Cohn, 2012), Remember My Name (Alan Rudolph, 1978), Margaret (Kenneth Lonergan, 2011), and The Pigeon Tunnel (Errol Morris, 2023).

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Photo by Steve Snodgrass

Ep. 384: Eric Hynes on Chronicles from the Siege, Yo Love Is a Rebellious Bird, Soumsoum the Night of the Stars, Dao, Bucks Harbor, Tristan Forever

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. At the end of this year’s edition of the Berlinale, I talked with curator Eric Hynes of the Jacob Burns Film Center about a few films that screened later in the schedule and therefore might be overlooked. Titles discussed include Chronicles from the Siege, Yo (Love Is a Rebellious Bird), Soumsoum, the Night of the Stars, Bucks Harbor, Tristan Forever, and my guest’s absolute highlight, Dao (Alain Gomis). As a small programming note, this episode was recorded last month.

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Photo by Steve Snodgrass