In this episode, Ryan and Todd complete their Gaze & Voice duology. While gaze & voice both enter into psychoanalytic theory as objects through Lacan's work at the same time, voice has received less critical attention since. The hosts put voice through a theoretical wringer, analyzing it at the levels of everyday life, aesthetics, and politics. Ultimately, the episode takes up the question of whether and to what extent voice can be mobilized as an emancipatory political concept.
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1:12:07
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1:12:07
Gaze
In this episode, Ryan and Todd discuss one of psychoanalytic theory’s most influential ideas: the gaze. The hosts talk about how Laura Mulvey’s gloss on “the male gaze” made the idea widespread across film theory and cultural studies in different formulations. Yet often missing in these accounts is how the gaze is a challenge to mastery, rather than a confirmation of it. The hosts work through two of Lacan’s examples to this effect, found in Holbein and Velázquez, before offering several of their own as they try to hone in on what makes this idea both evergreen and elusive.
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1:23:57
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1:23:57
Robert Redford
In this episode, Ryan and Todd pay tribute to the recently deceased film actor, director, and producer Robert Redford. Working through dueling top ten film lists, the hosts draw out a political and moral throughline that distinguishes Redford's long career. As the hosts contend, Redford's filmography is defined by an exploration of Kantian moral law and the nonverbal expression of an excess that cannot be named.
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1:41:26
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1:41:26
The 18th Brumaire of Louis Bonaparte
In this episode, Ryan and Todd conclude their Marx duology by working through the excellent Eighteenth Brumaire of Louis Bonaparte. The hosts focus on Marx's narrative and progressive understanding of history as well as the famous notion of repetition expressed in the work's first two lines. The discussion concludes with a critical engagement with Marx's concept of the psyche and the peasantry.
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1:15:38
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1:15:38
1844 Manuscripts
In this episode, Ryan and Todd discuss Karl Marx's posthumously published Economic and Philosophic Manuscripts of 1844, colloquially known as the 1844 Manuscripts. They begin by discussing how teachable and approachable the text is before underlining the book's core arguments. While not intended for publication by Marx, this text nonetheless offers a highly structured look at Marx's developing thoughts on capitalism, alienation, and the legacy of Hegel. Toward the end of the episode, the hosts draw out the tension in the text between Marx's reading of Hegel as a philosopher of history versus the podcast's long held contention that Hegel must be read as a philosopher of contradiction.