Data Transmission Podcast

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B E E N I T S. lands on GOODSIDE Records today with 'Hypnotized Eyes', out May 8th, 2026, and it wastes no time getting to work.

The Seoul-based DJ and producer makes his label debut with a stripped-back tech house cut built for dark rooms and direct reactions. It rolls on a low-slung bassline, tight percussion and a vocal hook that feels sharp, odd and just trippy enough to stay in your head after the lights come up.

There’s a nice confidence to it. Nothing is overcooked. The groove does the heavy lifting, with the drums keeping things locked while that futuristic vocal twists around the top. It has the kind of pressure that works in a basement at 2am, but there’s enough punch here for bigger festival systems too.

After building through local DJ sets and steady studio work in Seoul, B E E N I T S. now steps into wider view with GOODSIDE behind him. And with more music already lined up on the label, 'Hypnotized Eyes' feels like a strong first marker rather than a one-off moment.

We’re pleased to premiere B E E N I T S.’s 'Hypnotized Eyes' today. Listen now, stream it, or grab it on Beatport.

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THEOS lands on Data Transmission Podcast 955 this week, fresh from ‘Love Me Right’ and a run of releases on Defected, KAOS Theory and Shall Not Fade.

French house is having a proper moment again, and THEOS is right in the thick of it. Born Théo, raised around music, and fully locked into the craft since launching the project in 2017, he has become one of the sharpest names in the new French house wave.

The London-based producer and DJ has already caught serious ears. Kerri Chandler is a fan, Oden & Fatzo have linked with him, and that Defected debut in 2023 put another big marker down. Not bad for someone still only in his early twenties.

His new single ‘Love Me Right’ shows exactly why the noise keeps building. The bassline sits tight, the vocal does its job, and the whole thing carries that clean French house funk with a little New York disco sweat on it. No fuss. Just groove.

His sets carry the same energy. DJ pressure, live piano touches, and enough bounce for basements, rooftops and late festival tents.

For Podcast 955, THEOS takes control for the hour. Expect classy house, warm grooves and plenty of movement.

Listen to the mix, stream ‘Love Me Right’, and keep THEOS firmly on your radar.

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Jaco Reigosa joins us on the Spotlight Mix, and he’s brought a bag full of rolling club tackle with him.

The Spanish artist has been deep in electronic music since he was 16, first getting hooked on mixing before turning that obsession into a full career behind the booth. Since launching BNN Records in 2014, he’s built the label into a proper platform, with more than 100 releases and support from the likes of Marco Carola, Paco Osuna and Joseph Capriati.

Now based in Ibiza, Jaco has held down his Tantra residency since 2021, where he also curates his weekly ‘Reunion’ event. Add in sets at Amnesia, Club Chinois, Eden, Bora Bora and Es Paradis, plus shows across Thailand, Indonesia, Colombia, Romania, Italy, France, Andorra and Portugal, and you get the picture. He’s not exactly short on passport stamps.

This mix lands with plenty of intent. It moves through chunky tech house, Latin-leaning percussion, tight drums and those low-slung basslines built for basements, terraces and sweaty after-hours corners.

There’s a strong dose of Jaco’s own sound in here too, including ‘Girls Wanna Have Fun’ on DPE and ‘Let’s Get Crazy’, his new Motel Calypso cut released on 1st May 2026. That one has a proper hips-first groove, with swinging drums, warm vocal energy and a bassline that does the heavy lifting without shouting about it.

Elsewhere, the mix pulls in heat from Chris Brooks, Dem Boyz, Fabri Torres, RSquared, Baggi, Chico Rose, Jesse Bravo, Tatan Bilbao and more, while BNN Records gets a nod through Hermann Bravo & Techouzer’s ‘Chain Reaction’ and Mussa’s ‘Ay Nena’.

No fuss. No filler. Just a sharp club mix from an artist who knows exactly where the groove needs to sit.

Press play on Jaco Reigosa’s Spotlight Mix and grab ‘Let’s Get Crazy’ on Motel Calypso.

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Some DJs dig deep. Raffi Habel clearly digs into his own hard drive first, and fair play, there’s plenty worth pulling out.

Today’s Data Transmission Spotlight Mix lands courtesy of a producer who’s been quietly building a serious catalogue of rowdy, ragga-leaning tech house weapons, and this mix feels like a proper statement. Originals, collabs, IDs, unreleased bits, it’s all very Raffi. No filler. No polite transitions into safe territory. Just bass-heavy club records built for sweaty rooms and people making questionable decisions at 3am.

If you know Raffi, you’ll know he’s never taken himself too seriously either. His self-written bio still reads like a classified ad gone rogue, name-dropping exes like Ministry of Sound, Pacha Ibiza and Space Ibiza while promising “ragga-inspired tech house” and warning off bots and phish. Thankfully, the music backs up the chat.

This mix is stacked with his own releases on labels like Stashed, Palmlands, Rock Bottom and DT Weapons, plus collaborations with Honey-B-Sweet, Dread MC, Johan S, Artichokes and more. There are a fair few unreleased IDs in here too, which usually means one thing, he’s road-testing future damage.

From the bounce of My Body Fire to the chaos of Big Dirty Stinking Bass and the unreleased heat lurking towards the back end of the mix, this one doesn’t hang around.

Press play below and lock in.

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Some mixes take their time. This one earns it.

This week’s Spotlight Mix comes from Shades of Play, the project led by Derreuq out of Washington DC, and it moves exactly how you’d expect from someone who’s been deep in the craft. No rush, no filler, just a steady build through groove, tone, and space.

There’s a clear thread running through it. Records like Leaf Flying (Traumer Remix) and Metal Dreams set the early pace, locking into that deep, hypnotic pocket. Then it stretches out, pulling in moments from Blooming Fields, Rivaldo and Hired State Of Unconsciousness, the kind of cuts that don’t shout but stay with you.

Derreuq’s style sits somewhere between deep house, progressive and techno, but it’s not boxed in. You can hear the range in the selections, from the warmth of Always is Never (Greener Grass Version) to the heavier pull of Hottrak. It’s controlled, patient, and built for long sets where the room is locked and the lights are low.

As one half of Shades of Play, alongside producer Felipe Rivera, he brings that selector mindset front and centre. You can tell this is someone who’s played proper rooms, Flash, Halcyon, TBA Brooklyn, and understands how to hold a floor without overplaying it.

This isn’t about big drops. It’s about flow. The kind of mix that works just as well at home as it does in a basement at 3am.

Lock in and run it front to back.