417 episodios
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Beave Gets Behind the Decks for Our Latest Spotlight Mix
Beave has plenty to put in the record bag right now. With his Staff Only Records debut ‘1997’ out since 28th August and ‘Zoolander’ arriving on Solid Grooves Records on 23rd October, the Essex producer steps into our Spotlight series with a selection connecting his own productions, familiar house vocals and a healthy appetite for bass.
There’s more than a decade of work behind that recent run. Beave’s ‘WHERE?’ on The Cuckoos Nest caught fire across Ibiza in 2025 before its official release, finding support from Luke Dean, Robbie Doherty, Dennis Quin and Marsolo. Weighty synths and garage-influenced grooves have become central to his sound, with records built to get bodies moving.
Beave’s ‘Just Another Love Song’, released through Isakei / broke, pushed things further, generating more than six million TikTok impressions and nearly 100,000 SoundCloud plays before release. Then came ‘1997’ on RUZE’s Staff Only Records, which reached the top of Beatport’s overall chart. A busy summer, then.
Next comes Beave’s ‘Zoolander’. His first outing on Solid Grooves lands with support already building around the unreleased record, including plays from Chris Stussy. It’s another significant label debut, arriving while ‘1997’ is still doing the rounds. ‘Zoolander’ isn’t on this mix’s tracklist, but there’s plenty here to get stuck into while we wait.
Across 41 listed selections, Beave gives his own material room alongside records from Rossi., RUZE, SOSA, The Trip and Prospa. His collaborations feature heavily, with Beave and TYGE’s ‘Work This Beat’, Beave and Sami Salem’s ‘Something Beautiful’ and Beave and Backin’99’s ‘Music Is My Life’ all making an appearance. Later, there’s Beave and Ollie Weeks’ ‘Last Night’, plus the Belters Only and Beave edit of Prospa’s ‘Free Your Mind’.
The vocal choices tell their own story. Technotronic’s ‘Pump Up The Jam’, Fingers Inc.’s ‘My House’, ATFC’s ‘Bad Habit’ and Masters At Work’s ‘Work’ all appear as acapellas. It’s a selection that leaves space for the DJ to put familiar voices to work, with plenty of house history sitting among the newer cuts.
Bobby Blanco & Miki Moto’s ‘3am’, in its Ian Carey & Eddie Amador remix, joins David Morales’ ‘Needin U’ and Tiga’s ‘You Gonna Want Me’. Elsewhere, The Trip appear twice with ‘Body Talk’ and ‘Selector’, while Sidney Charles and Kolter’s ‘Back 2 The Beat’ sits in the closing stretch. Metroplane’s ‘Be Where I Am’ gets the final word.
Both Beave’s ‘1997’ and ‘WHERE?’ are in the bag, too. Alongside the collaborations and edits, they make this a chance to hear how his productions fit into his wider taste as a selector. The records that brought people to his name, surrounded by the music he wants to play.
Get stuck into Beave’s Spotlight mix below. His ‘1997’ is out now on Staff Only Records, with ‘Zoolander’ following on Solid Grooves Records on 23rd October. - ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!
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⚡️ Subscribe to our YouTube Channel - http://bit.ly/dtytube
⚡️ iTunes Podcast: https://apple.co/4xJutpZ
⚡️ Mixcloud: http://mixcloud.com/datatransmission
⚡️ Get Hypeddit: http://bit.ly/dthypeddit
⚡️ Follow our Spotify Playlist: https://spoti.fi/3CFr4Rm
Beave Gets Behind the Decks for Our Latest Spotlight Mix
Beave has plenty to put in the record bag right now. With his Staff Only Records debut ‘1997’ out since 28th August and ‘Zoolander’ arriving on Solid Grooves Records on 23rd October, the Essex producer steps into our Spotlight series with a selection connecting his own productions, familiar house vocals and a healthy appetite for bass.
There’s more than a decade of work behind that recent run. Beave’s ‘WHERE?’ on The Cuckoos Nest caught fire across Ibiza in 2025 before its official release, finding support from Luke Dean, Robbie Doherty, Dennis Quin and Marsolo. Weighty synths and garage-influenced grooves have become central to his sound, with records built to get bodies moving.
Beave’s ‘Just Another Love Song’, released through Isakei / broke, pushed things further, generating more than six million TikTok impressions and nearly 100,000 SoundCloud plays before release. Then came ‘1997’ on RUZE’s Staff Only Records, which reached the top of Beatport’s overall chart. A busy summer, then.
Next comes Beave’s ‘Zoolander’. His first outing on Solid Grooves lands with support already building around the unreleased record, including plays from Chris Stussy. It’s another significant label debut, arriving while ‘1997’ is still doing the rounds. ‘Zoolander’ isn’t on this mix’s tracklist, but there’s plenty here to get stuck into while we wait.
Across 41 listed selections, Beave gives his own material room alongside records from Rossi., RUZE, SOSA, The Trip and Prospa. His collaborations feature heavily, with Beave and TYGE’s ‘Work This Beat’, Beave and Sami Salem’s ‘Something Beautiful’ and Beave and Backin’99’s ‘Music Is My Life’ all making an appearance. Later, there’s Beave and Ollie Weeks’ ‘Last Night’, plus the Belters Only and Beave edit of Prospa’s ‘Free Your Mind’.
The vocal choices tell their own story. Technotronic’s ‘Pump Up The Jam’, Fingers Inc.’s ‘My House’, ATFC’s ‘Bad Habit’ and Masters At Work’s ‘Work’ all appear as acapellas. It’s a selection that leaves space for the DJ to put familiar voices to work, with plenty of house history sitting among the newer cuts.
Bobby Blanco & Miki Moto’s ‘3am’, in its Ian Carey & Eddie Amador remix, joins David Morales’ ‘Needin U’ and Tiga’s ‘You Gonna Want Me’. Elsewhere, The Trip appear twice with ‘Body Talk’ and ‘Selector’, while Sidney Charles and Kolter’s ‘Back 2 The Beat’ sits in the closing stretch. Metroplane’s ‘Be Where I Am’ gets the final word.
Both Beave’s ‘1997’ and ‘WHERE?’ are in the bag, too. Alongside the collaborations and edits, they make this a chance to hear how his productions fit into his wider taste as a selector. The records that brought people to his name, surrounded by the music he wants to play.
Get stuck into Beave’s Spotlight mix below. His ‘1997’ is out now on Staff Only Records, with ‘Zoolander’ following on Solid Grooves Records on 23rd October. - ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!
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⚡️ iTunes Podcast: https://apple.co/4xJutpZ
⚡️ Mixcloud: http://mixcloud.com/datatransmission
⚡️ Get Hypeddit: http://bit.ly/dthypeddit
⚡️ Follow our Spotify Playlist: https://spoti.fi/3CFr4Rm
Ethan Walsh Steps Up for the Data Transmission Spotlight Mix
Ethan Walsh has had the sort of year where records start doing the talking for you. Following the breakout success of ‘Look Good’, the fast-rising UK producer landed on Creamfields Recordings in August with ‘Loving You’, another firmly club-minded cut built around a commanding bassline, zipping synths and uplifting vocals.
‘Look Good’ has already clocked more than nine million streams and picked up a Franky Rizardo remix, while support has come from Max Dean, Interplanetary Criminal, Obskur and L.P. Rhythm. Add appearances alongside Cloonee and Murda Beatz, and Walsh is starting to put some proper weight behind the online numbers. For his Data Transmission Spotlight Mix, though, we get to hear what sits behind his own productions.
It’s a tight selection of rolling house and tech house, with East End Dubs’ ‘Together’, Louis Millne’s ‘Second Guessing’, Malikk’s ‘So Smooth’ and Simone Liberali’s ‘Vibration’ sitting alongside newer cuts from CLUGGY, Nocapz. and WESTGATE. There’s also room for a Mazos edit of Hot Natured’s ‘Reverse Skydiving’, which should tell you this isn’t simply a run through whatever landed in the promo folder this week.
The mix moves with plenty of bounce, clipped percussion and low-end pressure, keeping things rolling rather than chasing obvious peak-time moments. It’s the sort of selection that makes sense a few hours into a basement, when the room is locked and nobody needs convincing.
With ‘Loving You’ adding another strong release to his catalogue, this Spotlight gives us a better look at Ethan Walsh the DJ, not just the producer currently piling up streams.
Turn it up and get stuck into Ethan Walsh’s Data Transmission Spotlight Mix.
Tracklist:
Ignaxxxio - Crossfire
Will Taylor - Your Soul
East End Dubs - Together
Capron - Downstairs
Louis Millne - Second Guessing
Stef Davidse - The Bag
Malikk - So Smooth
Tommy Phillips - Million Things (GROOVE.fm Rolling Edit)
Beyond Limits - Act Up
WESTGATE - Obsessed
Simone Liberali - Vibration (Rooleh Extended Mix)
CLUGGY - The Baddest
Nocapz. - More Love
Hot Natured - Reverse Skydiving (Mazos Edit)
VERDI - Wishing On A Star - ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!
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## Premiere: FIFI FORTE brings the daytime swing on 'Ur Just Fine'
FIFI FORTE lands on Diggin’ Records on September 4 with her three-track 'Gain My Trust EP', and it’s another strong move from the London producer.
After releases on Hottrax, Deeperfect, Pakate and Libero, FIFI has been building serious momentum, with recent music picking up support from Jamie Jones, Marco Carola, Joseph Capriati, Dennis Cruz, Nicole Moudaber and plenty more. Her diary tells a similar story, with Paradise appearances alongside dates at Fabric, KOKO and Warehouse Project.
Across 'Gain My Trust', '444' and 'Ur Just Fine', the EP moves through rolling tech house, deep hypnotic grooves and flashes of classic '90s house. Funky basslines, tight percussion and small vocal touches do the work without overcrowding things.
Our premiere, FIFI FORTE's 'Ur Just Fine', takes the warmer route. Latin-leaning grooves give it a loose daytime swing, while the low end keeps enough weight underneath to carry it from rooftop sessions into a packed club later on. FIFI herself describes it as the EP's warmer, daytime moment, and that pretty much nails it.
We're premiering 'Ur Just Fine' below. Get stuck in, then grab the full 'Gain My Trust EP' when it lands tomorrow on Diggin’ Records. - ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!
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There’s been a steady stream of good club records coming out of Italy for years, and ATLAC is starting to put his name firmly amongst the new crop worth watching.
Born in 1999, the Italian DJ and producer has spent the last few years building his catalogue around tough, groove-led tech house. His sets have taken him through clubs including ilMuretto and CirQ in Venice and Milan’s Rocket Club, while his productions have found support from Joseph Capriati, Loco Dice, Ilario Alicante, Jamie Jones, Adam Beyer, Cloonee, Dennis Cruz and Wade.
2026 has been particularly busy. ATLAC opened the year with his 'Handclap' EP on Loco Dice’s Desolat, pairing the rolling title track with the heavier 'Smokin On', before following up with 'Hood Beat' on Hellbent and 'Goes Like This' for Metamorfosi Records.
Then came a big one.
August saw ATLAC make his debut on Jamie Jones’ Hottrax with the two-track 'You Can Move' EP. The title cut gets straight to work with rolling drums, a thick bassline and a vocal built for the middle of a busy room. 'Strong' strips things back further, leaning into warped vocals and a more hypnotic groove. Both tracks were apparently put together in just a few hours before ATLAC sent them directly to Jamie.
That directness runs straight through this week’s Spotlight Mix.
Tony Romera and Gaba’s 'Naughty' gets things moving before Kidoo, Chico Rose, Fer BR, Artslaves, Braydon Terzo, White Off, Detlef, Dames House, Marchisio and Jason Detox all make appearances. It stays locked into that rolling tech house pocket throughout, plenty of drums, clipped vocals and basslines doing the heavy lifting.
But the interesting bit is how much ATLAC material he’s packed into the hour.
Alongside 'You Can Move', we get 'Fader Up', 'Let’s Move', 'Can’t Stop', 'Hood Beat', 'Broke Man' and 'Venom'. Seven of his own tracks across sixteen selections, which makes this as much a snapshot of where his productions are heading as it is a DJ mix.
There’s no messing around with the pacing either. The records keep moving, the groove stays tight and there’s enough unreleased-looking ATLAC material in here to suggest the Hottrax release is only part of what he’s got lined up.
Get stuck into ATLAC’s Spotlight Mix below.
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