Data Transmission Podcast

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## Sunora step into the Spotlight with a groove-heavy session

There’s a nice bit of digging in this one.

Sunora join us for this week’s Spotlight Mix, with Chertkovski and Alar putting together a session that sits somewhere between dreamy open-air house, rolling club grooves and the sort of records that sound particularly good once the sun has disappeared.

The project only officially arrived in 2026, but there is plenty of experience behind it. Chertkovski and Alar have both spent years producing, DJing and moving through different corners of electronic music, and Sunora feels like the point where those influences have properly met.

Their first release came alongside Lee Burridge with 'Bianco Montana' on All Day I Dream, before the duo launched their own SUNCTURE imprint in April. Since then, they’ve been steadily building around warm synths, rolling basslines, organic touches and house music that has enough melody to breathe without forgetting what the kick drum is there for.

That same balance runs through their Spotlight Mix.

There’s plenty of Sunora DNA scattered across the tracklist, including FunkT!de & Sunora’s unreleased 'Sex Machine', Sunora and FunkT!de’s 'Underground Baby', and another unreleased collaboration with Lee Burridge, 'Man With a Guitar'.

Elsewhere, Rafael’s 'Gotta Be Cool' on Crosstown Rebels adds some low-slung swagger, Volkoder’s 'Steamy' brings a heavier groove, and Jackie (IT) and AVIV SAB’s 'Sexy M.F.' keeps things firmly aimed at the floor.

There are a few IDs tucked away too, which is always a good sign.

One of the biggest curiosities lands right at the start, with an unreleased Lee Burridge and Sunora edit of Deee-Lite’s 'What Is Love?' setting the tone before the mix moves through SUNCTURE, Maccabi House, Get Physical, Crosstown Rebels and All Day I Dream territory.

It is a strong snapshot of what Sunora are building right now. Musical without drifting off, deep without losing its bounce, and packed with records that could work just as comfortably on a beach in Thailand as they could in a dark basement several hours later.

Get into Sunora’s Spotlight Mix below.

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# CASH ONLY steps up for the Data Transmission Podcast ahead of Love to be… Festival

CASH ONLY is heading to Harrogate this weekend, and before he lands at Love to be… Festival on Saturday 5th September, he takes control of the Data Transmission Podcast with a mix that moves freely through house, garage and everything sitting nicely between the two.

That freedom has always been a big part of his appeal. CASH ONLY came up through record shop culture in the late 90s, with jungle and UK garage pushing him towards his first set of decks. Since then, he has spent more than 25 years working across the industry as a DJ, promoter, producer, tour manager and label boss. His sets have developed the same breadth, mixing timeless records, unreleased weapons and his own edits without getting stuck in one lane.

This week’s podcast gets straight into it. Alaia & Gallo’s ‘Lipstick’ gets the Tony Romera treatment early doors before the mix runs through Solardo, Archie Hamilton, Route 94, Soulsearcher and Bushbaby & Danny P. There are plenty of exclusives in there too, including unreleased music from Jewel Kid & Wh0, Illyus Barrientos x Nesi and Capri x Denis Sulta.

CASH ONLY also brings a few of his own bits to the table. His G-Double-E edit of Fish Go Deep’s ‘The Cure and the Cause’ appears alongside a dubplate from Casnova and his forthcoming remix of Weiss’ ‘Feel My Needs’ with Ruejay.

That Weiss remix is a particularly big one for him. Arriving on Toolroom in September, it marks his first release for the label and sees him getting his hands on one of the catalogue’s best-known records. He also has a new release coming on Jewel Kid’s Alleanza, taking things into a bassier, garage-influenced house direction.

There is plenty happening away from the studio too. CASH ONLY’s recent run has taken in Glastonbury, Hï Ibiza, Studio 338, Ministry of Sound and Defected Festivals, and this weekend he joins the Love to be… Festival lineup at The Stray in Harrogate.

Love to be… returns with a 6,000-capacity crowd and three stages of house music, with Claptone, Paul Woolford, Sam Divine, David Penn, Mousse T, Todd Terry, Gok Wan and plenty more alongside CASH ONLY on the bill.
As CASH ONLY puts it, the mix is “a journey across the spectrum of House and Garage”, and that pretty much nails it. Big records, quick turns, garage pressure, house grooves and enough unreleased material to keep the Shazams busy.

Turn it up, get stuck into the full mix below, and if you’re heading to Harrogate on Saturday, make sure you catch CASH ONLY at Love to be… Festival.

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Jill Stanley lands in our Spotlight Mix series fresh from her dt weapons debut, ‘99’, a track built for the point in the night when the room is locked in and subtlety can wait.

The Los Angeles-based DJ and producer has one of the more unusual routes into dance music, balancing club records with life as a trial lawyer and law professor. Musically, though, the focus is clear. House and tech house, tight drums, heavy low-end and records that get to the point quickly.

That same approach runs through ‘99’. Released on dt weapons this month, Jill Stanley’s track rolls on a punchy groove, crisp percussion and a hypnotic vocal hook, keeping the pressure on without overcrowding the mix. It follows releases and remixes connected with Defected, Space Yacht, Natura Viva and My Techno Weighs A Ton, and feels like a natural fit for the label.

Her Spotlight Mix gives us a wider look at what sits around that sound. Jill mixes Radio Slave and Kameelah Waheed’s ‘All Rize’ with cuts from BUJA, VLTRA, Genesi, Joshwa, Discip, OMRI, SIDEPIECE and Volkoder, while dropping plenty of her own material into the session.

Alongside ‘99’, there are Jill Stanley productions including ‘Death Wish’, ‘Wouldn’t Be You’, ‘Break It Down’, ‘Get Cold’, ‘Bad Behavior’ and ‘Good Time’. That makes this less of a quick promo mix and more of a proper snapshot of where her sound is heading right now.

Rolling tech house, tougher late-night moments and enough bounce to keep things moving. Get into Jill Stanley’s Spotlight Mix below.

**Tracklist**

1. Class of Classes, V-Lake, Carmz
2. All Rize (DJ Minx Remix), Radio Slave, Kameelah Waheed
3. Touch My Body, BUJA (BR)
4. Bad Habit (VLTRA Extended Remix), Thomas Newson, LOVRA
5. 99, Jill Stanley
6. Death Wish (VIP Mix), Jill Stanley
7. Cheat Code, Genesi, XORO, Aya Anne, Milher
8. Out of My Mind (Rello Remix), Joshwa, Rello
9. Intoxicated, Discip
10. My Killers, OMRI, Yamagucci
11. Body, Alex Kaspersky, Adam Sellouk
12. Can I Ride, 95 South, SIDEPIECE
13. Wouldn’t Be You, Jill Stanley
14. My House, Volkoder
15. Break It Down, Jill Stanley
16. Get Cold, Jill Stanley
17. Girls (Lowdown Remix), Supafly, Greg Stainer, Ca$h X
18. Bad Behavior, Jill Stanley
19. Good Time, Jill Stanley

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Jewel Kid lands on Data Transmission with a live mix recorded at Groove & Bass Festival in Quebec, Canada, arriving fresh from his ‘Explicit Behaviour’ EP on Radio Slave’s Rekids.

There’s something different about a mix caught in the middle of a festival rather than pieced together in the studio. This one comes straight from the floor, with Malta’s Jewel Kid taking control at Groove & Bass in Quebec and working through the kind of chunky house and tech house grooves that have kept him busy for more than two decades.

That experience runs deep. Jewel Kid has released across Toolroom, Alleanza, Glasgow Underground, Abode and Nervous, while his touring history includes Space Ibiza, Space Miami, Egg London, Cielo New York, Womb Tokyo and Sankeys Ibiza. He’s also a Carl Cox Worldwide Remix Competition winner, with multiple records landing inside Beatport’s Top 10.

The mix arrives just after his Rekids debut, ‘Explicit Behaviour’, released on 14th August. The three-track EP finds Jewel Kid leaning into big drums, analogue pressure and classic house touches, from the piano stabs and sirens of ‘Explicit Behaviour’ to the Chicago influence running through ‘In The Dance’ and the rolling tension of ‘The Tribute’.

No tracklist on this one, so there’s no skipping ahead to find the IDs. Just press play and let Jewel Kid handle it as it happened in Quebec.

Listen to the full Groove & Bass Festival recording below.

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There’s a proper late-night shape to this one.

For our latest Spotlight Mix, Mack Loenz steps in with 18 tracks of electro, house, techno and bass-heavy club music, arriving just ahead of his debut album ‘From The Heart’ on Maceo Plex’s Lone Romantic imprint on 4th September.

Behind Mack Loenz is Larry McCormick, an artist many heads will already know as Exzakt. That project saw him release through the likes of Tresor, Fabric, Turbo and Skint, but Mack Loenz has become the next chapter, pulling those electro roots into something more cinematic, melodic and built for bigger rooms.

You can hear that thinking all over this mix.

Fred again.. kicks the door open before Chris Lorenzo and Kah-Lo push things towards the club, then Mack drops his own ‘Right From Wrong’ Club Mix into Maceo Plex’s ‘The Plan’. From there, Kyle Watson, Beswerda, Glowal, MPH and Anti Up keep the pressure moving without the selection ever getting stuck in one groove.

There are a few nice left turns too. Craze and Black V Neck bring some low-end swagger, Mack slips in his own VIP mashup of Fred again. and Skepta’s ‘Victory Lap’, while Maceo Plex appears several times across the hour. It makes sense given the relationship between Mack, Lone Romantic and the forthcoming album, but none of it feels like box-ticking. The records earn their place.

His own ‘Sunrise’ arrives late in the mix, one of two tracks from ‘From The Heart’ featured here. The ten-track LP pushes further into Mack’s blend of analogue synthesis, glistening arps, heavy basslines and emotional electronics, balancing proper dancefloor weight with a more reflective side.

And then comes the closer.

Mack finishes with Maceo Plex’s 2013 remix of Kavinsky, a particularly poignant choice following the French producer’s death in Paris last month at the age of 50. Kavinsky was one of the defining names of the second wave of French Touch, and his influence stretches far beyond ‘Nightcall’.

It’s a classy way to finish a mix that clearly comes from someone who still cares about selection, sequencing and where a record sits next to the one before it.

Turn it up.