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Why Is This Good?

Why Is This Good?
Why Is This Good?
Último episodio

176 episodios

  • Why Is This Good?

    174: “In the Heart of the Heart of the Country” by William H Gass

    15/04/2026 | 31 min
    Interested in our novel mentorship program or have any other questions? Email us at [email protected]

    If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

    You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

    In this episode, we discuss “In the Heart of the Heart of the Country” by William H Gass (starts page 172, click “borrow”). What can we learn from this vibrant, poetic story with an unusual structure? Is there a narrative arc? How can we shape our own stories? How do we develop and connect poetic images?
  • Why Is This Good?

    173: “Teenage Wasteland” by Anne Tyler

    01/04/2026 | 24 min
    Interested in our novel mentorship program or have any other questions? Email us at [email protected]

    If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

    You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

    In this episode, we discuss “Teenage Wasteland” by Anne Tyler. What can we learn from this story? How can we think about the structure of a story in terms of a Greek tragedy? What’s up with JC’s image of a skipping stone as a story structure? How can we handle universal or timeless stories?
  • Why Is This Good?

    172: “The Necklace” by Guy de Maupassant

    15/03/2026 | 35 min
    Interested in our novel mentorship program or have any other questions? Email us at [email protected]

    If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

    You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

    In this episode, we discuss “The Necklace” by Guy de Maupassant. (French version here.)  What can we learn from this exemplar story? How can we fit characters to their stories? How can the shape of dialogue on the page help us guide the flow of the story? What did de Maupassant learn from Flaubert, and how has he guided the style of short fiction since? How does the ending of the story work? Where does the emotion come from?
  • Why Is This Good?

    171: The Wedding Party by Taylor Koekkoek

    01/03/2026 | 26 min
    Interested in our novel mentorship program or have any other questions? Email us at [email protected]

    If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

    You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

    In this episode, we discuss “The Wedding Party” by Taylor Koekkoek. What can we learn from this simple story elevated by literary effects? How can a writer’s eye make a story feel important? How can a non-point-of-view character become the center of a story? How can we use dialogue to show who is controlling a conversation? How can we characterize a non-POV character?
  • Why Is This Good?

    170: “Eveline” by James Joyce

    15/02/2026 | 28 min
    Interested in our novel mentorship program or have any other questions? Email us at [email protected]

    If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

    You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

    In this episode, we discuss “Eveline” by James Joyce. What can we learn from this famous story? How does Joyce structure the epiphany? Can we use that structure in our own stories? Are there hidden symbolic depths to the details of the story? How can a writer characterize a mood by word choice? How can we distinguish between a plot of events and a plot of choices?

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The Naples Writers' Workshop presents lessons from successful writing
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