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UNSUNG - the Audiomovers Podcast

AUDIOMOVERS
UNSUNG - the Audiomovers Podcast
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5 de 22
  • "A Producer Punched Me In The Face Mid-Session" - GRAMMY-winning Engineer Matt Sim | UNSUNG
    For Episode 21 of the UNSUNG podcast, Jocelin, Matt Soczywko & Igor Maxymenko were joined by GRAMMY-winning Mixing & Mastering Engineer Matt Sim at Qube East in London.Matt Sim is a GRAMMY-winning, multi-platinum & billboard charting mixing & mastering engineer. He has worked with a very eclectic list of global artists including: Aya Nakamura, Jackson Wang, Illenium, The Chainsmokers, Mark B, Milli and many more.After graduating from Berklee College of Music, Matt Sim moved to New York City, where he spent a decade as an in-house mixer at the legendary Hit Factory NYC studios. Currently, he serves as Warner Music Asia's in-house Dolby Atmos Music Mixer and is a pre-approved immersive mixer for Universal Music Group and Sony Music globally. With over 2,700 credits and more than 8 billion streams under his belt, he has firmly established himself as one of the most respected mixers in Asia.In this episode, Matt takes us through his journey, from his musical beginnings and early studio experiences in New York, including landing the gig at The Hit Factory, to how his unique mentality shaped his hustle and desire to become a mix engineer. He discusses his approach to mixing for diverse clients, adapting to different genres, and the nuances of mixing for cultural preferences. Matt also shares insights into his creative process, including whether his classical background comes in handy, his thoughts on production, and the skill of providing effective client feedback. A significant part of the conversation focuses on Dolby Atmos, covering his setup, delivering Atmos mixes, the future of the format for consumers, and how he utilizes Audiomovers. Wrapping up with Matt's reflections on career highlights, working with artists like Big Sean and invaluable advice for aspiring engineers.➡️ Follow Matt on Instagram - https://www.instagram.com/mix_by_matt_sim/➡️ Check out some of Matt’s work - https://mixbymattsim.com/ ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Matt_SimUNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us.Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate.#mattsim #podcast #production #mixing #engineering #atmos
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  • "K-Pop Isn't A Genre It's Their Culture, It's Everything" Production Duo LDN Noise | UNSUNG
    For Episode 20 of the UNSUNG podcast, Jocelin and Matt were joined by British songwriting & production duo LDN Noise at Abbey Road Studios.Comprising Greg Bonnick and Hayden Chapman, the two met via a mutual friend, originally producing garage and UK electronic genres popular at the time. After digital downloads started to displace revenue generated from physical sales of vinyl and CDs, Greg's dance music label began to struggle financially. He pivoted out of making niche UK genres like Garage and 2-step and started studying songwriting and looking into producing more commercial music with Hayden. They had a string of early successes working on music for UK chart-toppers like Cheryl Cole, Sugababes, and Tinie Tempah, while also working on more underground acts/genres like Skepta and Grime.Then, around 2012, the UK music scene started to run thin on the ground; there weren't many acts to pitch songs for. The boys had landed a big track with Chris Brown that same year but struggled to get much music placed until their songwriter friend Andrew Jackson introduced them to a brand-new genre emerging from South Korea called K-pop. Returning from LA frustrated after a big writing trip, they decided to double down on this brand-new genre and quickly found success in K-pop, finding their broad musical taste and diverse musical ability a perfect fit for the multi-genre twists and turns found in K-pop's DNA.Today, LDN Noise has written songs and produced music for some of the biggest acts in K-pop and the world, including: Chris Brown, Nick Jonas, Red Velvet, Exo, NCT Dream, NCT 127, Skepta, Enhypen, Twice, and many, many more.In this episode, the boys discuss how they typically work together, how they met, their early productions, their transition into songwriting, and the commercial evolution of UK Rap in the 2010s, Grime's second wave, the highs and lows of various musical genres, the impact of diverse musical experiences, their success in K-pop, covering its defining features, the potential dark sides of the scene, and the importance of work ethic and talent in the music industry, how they initially got into K-pop, what inspires them when writing in the genre, how they developed the skillset to produce its many diverse styles, their preferred DAW, the different sound characteristics of DAWs, the plugins they regularly use. They wrap up with a quick-fire round, what's next for LDN Noise, and some invaluable advice for aspiring music makers.➡️ Follow LDN Noise on Instagram - https://www.instagram.com/ldnnoise➡️ Listen to some of LDN Noise's work - https://open.spotify.com/playlist/0Gb68yqL6OxyHECuQJJAhr?si=jmZmFSFYSPu2vUJWPfw-4Q➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_LDN_NoiseUNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us.Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate.#LDNNoise #podcast #K-POP #musicproduction #songwriting #audiomovers #unsung
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  • “A Good Score is Usually All About Happy Accidents” Film & TV Composer Raphaëlle Thibaut | UNSUNG
    For Episode 19 of the UNSUNG podcast, MixedByJocelin‬ and ‪Mirek Stiles were joined by Composer, Pianist & Producer Raphaëlle Thibaut at Kensaltown East studios in New York.Raphaëlle is a composer, pianist & producer recently nominated as a Breakthrough Composer of the Year by the International Film Music Critics Association in 2025.Enrolled in piano lessons from age 4, she spent the first 15 years of her life studying music, adoring the work of composers such as Ennio Morricone, Jerry Goldsmith, and Francois de Roubaix. After graduating from the Music Conservatory of Lille, France, in 2002, she went on to land a marketing position with Google. She left this role in 2015 after a life-changing experience at Abbey Road Studios, quitting her job the next day to immediately pursue her lifelong passion for music and film scoring.Raphaëlle's first "I've Arrived" moment came in 2021 when she scored the Emmy Award-winning Disney+/National Geographic nature docuseries "Secrets of the Whales," produced by James Cameron. Since then, she's scored "Sea Lions of the Galapagos" (2025) for Disney+, co-composed "Heart of Invictus" (2023) for Netflix, "Timeless Heroes: Indiana Jones & Harrison Ford" (2023) for Disney+, "Introducing, Selma Blair," 2021 for Discovery+ and "Mama’s Boy" (2022) for HBO, among many, many more.In this episode, Raphaëlle discusses doing her first session at Abbey Road's Studio 2, visiting Abbey Road for the first time, and making the decision to leave her corporate job at Google to pursue music full-time. She recounts how she met Mirek, her journey learning the ropes of production and composition, and her first "I've Arrived" moment in the industry. The conversation then delves into pitching herself as a composer, the distinctions between writing music for trailers versus film scores, and her transition from one to the other. Raphaëlle also covers composing for advertisements, music libraries, and short films, as well as the challenge of composers being pigeonholed into specific genres. She shares her process for starting musical ideas, how she challenges classical rules, and the importance of defining a unique sonic world. Further topics include writing music for television series, her favorite plugins, how she organizes her sounds, and her outlook for the next five years. The episode concludes with a look back at her childhood fascination with film music.➡️ Follow Raphaëlle on Instagram - https://www.instagram.com/raphaellethibaut/➡️ Check out some of Raphaëlle's work - https://www.raphaellethibaut.com/➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Raphaelle_ThibautTimecode0:00 - 0:53 Intro0:53 - 1:37 Raphaëlle’s first session at Abbey Road1:37 - 3:15 Raphaëlle’s first time at Abbey Road3:15 - 6:13 Leaving the corporate world to pursue music full-time6:13 - 7:39 How Mirek & Raphaëlle met7:39 - 14:23 Learning the ropes of production/composition14:23 - 18:40 Raphaëlle’s first “I’ve Arrived” moment18:40 - 22:49 Pitching yourself as a composer to the industry22:49 - 26:48 Writing music for trailers vs. scores for film26:48 - 28:12 Transitioning from trailer music to composing for film28:12 - 30:51 Writing music for advertisements & music libraries30:51 - 33:54 Composing for short films33:54 - 34:57 Composers being pigeonholed in a genre34:57 - 36:47 How Raphaëlle starts musical ideas36:47 - 39:29 Challenging the rules of a classical background39:29 - 44:04 The importance of a defining a unique sonic world44:04 - 45:13 Writing music for Television series45:13 - 48:39 Raphaëlle’s favorite plugins48:39 - 51:55 How does Raphaëlle organize her sounds51:55 - 54:48 What does the next 5 years look like for Raphaëlle?54:48 - 57:04 Raphaëlle’s childhood fascination with film music57:04 - 57:54 Outro#raphaellethibaut #podcast #composer #Disney+ #Netflix #HBOMax #filmscoring #production
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  • "Pharrell is about what feels right, he doesn’t care about.. how you did it" Chris Tabron | UNSUNG
    For Episode 18 of the UNSUNG podcast, MixedByJocelin and Matt Soczywko were joined by 2x GRAMMY-winning producer & mixing engineer Chris Tabron at Kensaltown East studios in New York.Chris Tabron is a 2x GRAMMY-winning producer and mixing engineer. He has worked with a very eclectic list of artists including: Beyoncé, Nicki Minaj, The Strokes, Common, Mary J. Blige, Robert Glasper, Erykah Badu, Kelela, Rick Rubin and many more. ➡️ Follow Chris on Instagram - https://www.instagram.com/tabnetic➡️ Check out some of Chris’s work - https://christabron.com/work➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Chris_TabronTimecode0:00 - 0:41 Intro0:41 - 2:42 Working and Living Abroad2:42 - 5:58 Working in Tokyo & Studios in Japan5:58 - 6:40 Chris’s Analog Gear Collection6:40 - 9:28 Chris’s Favorite Gear9:28 - 12:27 Chris’s Rarest Piece of Gear: The ITI EQ12:27 - 15:23 Mixing with Hardware vs. Software15:23 - 18:17 Mixing with your ears vs. your eyes18:17 - 21:20 Chris on Workflow21:20 - 23:37 Different Types of Listening23:37 - 25:31 Songs Getting Shorter25:31 - 28:19 How Chris Tabron Became an Engineer28:19 - 31:52 Serving the Artist’s Vision31:52 - 34:04 What is the Role of the Producer?34:04 - 38:53 Why Chris’s Discography is So Eclectic38:53 - 42:34 Working on “Blurred Lines”42:34 - 44:08 Does Pharrell Get Involved with Mixdowns?44:08 - 46:00 Pharrell’s Productions46:00 - 49:49 How Chris Started Working with Tony Maserati49:49 - 51:44 Did Chris Have a “I’ve Made It” Moment?51:44 - 54:03 Chris’s Career Highlights So Far54:03 - 56:17 What is Chris Good At?56:17 - 58:36 Creatives, Musicians, and “Taste”58:36 - 1:10:18 Helping Artists Get Unstuck1:10:18 - 1:12:13 What is Chris’s Role in the Studio?1:12:13 - 1:19:44 Working with Kelela1:19:44 - 1:19:59 OutroUNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools.Join us.#christabron #thestrokes #nickiminaj #beyoncé #podcast #production #mixing #engineering
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UNSUNG is a weekly show exploring the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters and composers. UNSUNG honours the real stories, and the truth behind the music that shapes our lives. It's a podcast by music obsessives, for music obsessives. Join us. UNSUNG is made by Audiomovers - part of the Abbey Road REDD family - and used by over 90% of recording sessions at the studio. It is the creator of a suite of groundbreaking pro audio software tools designed to help music makers collaborate.
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