The Debate

It's one of those New Year's resolutions often blurted out after a big family meal. "I'm going to run a marathon!" But like the cautionary saying "puppies aren't for Christmas, they're for life", one wonders how many realise the error of their ways when they're gasping for air during that first January training run. Or not. Not everyone will run a 41-kilometre race in 2026, but more and more will take up what's arguably the world's oldest sport. Why the trend? Is it a mere post-pandemic fad, or the sign of something deeper? We think of running as a solitary pursuit, but it's increasingly a social activity. Running clubs are particularly in vogue among the young, who seek a release from a life that's increasingly happening in front of a screen. Technology is also seeping into the experience, be it with equipment, monitors or apps, to the point that some bemoan the gamification of running. So what's running about: a pursuit or an escape? Goals to achieve or the experience of the journey? Produced by François Picard, Rebecca Gnignati, Juliette Laffont, Ilayda Habip, Charles Wente.

There's nothing more innately human than humming a tune. Especially when it's made by humans. But don't bother trying to see The Velvet Sundown in concert: the band doesn't exist. The sounds are produced with artificial intelligence. Watch moreThe Velvet Sundown: This band blowing up on Spotify is 100% AI-generated Worse, most listeners can't tell the difference from the real thing. With computers borrowing from real musicians for their inspiration, we weigh the implications. If humans are going to continue to rule artistic creation, then our panel needs to answer one simple question: what makes a hit song? Sometimes it's a gorgeous melody and a brilliant arrangement; sometimes it's an annoyingly easy-to-remember "brain worm" that will stay in your head long after you wish it had departed. Either way, what makes a song special? Produced by François Picard, Aline Bottin, Daniel Whittington, Ilayda Habip and Charles Wente.

It's the word of the year in Japan with a literal take on the Rihanna song "Work". Japan's first female prime minister Takaichi Sanae announced she would "abandon the idea of a work-life balance" when she was elected as the head of Liberal Democratic Party back in October. The 64-year old Takaichi may espouse "work, work, work, work and work", but how about those entering the labour market? Watch more'Work, work, work!' Japan's new PM under fire for asking staff to come in at 3am In the age of the gig economy, 34-year-old Zohran Mamdani was elected mayor of New York thanks to young people, who ask: what's the point of slaving away at a low-paying, high-pressure service sector job when AI is coming for their livelihood and saving up for a home or pension seems like a pipe dream? One survey has 43 percent of Gen Zers stating they quit a job because it didn't fit their personal lives, compared with 28 percent of baby boomers. So what makes a good work-life balance? Is it normal for humans to no longer define themselves by the way they earn their keep? In this age of rapid change and growing inequality, what to expect when it comes to our livelihoods and our lives? Produced by François Picard, Aline Bottin, Daniel Whittington, Ilayda Habip, Charles Wente.

Some brand it "the most crucial EU summit" since the financial crisis of 2008; a last chance to stave off bankruptcy for a Ukrainian government that might run out of money by the end of spring. But where will the money come from?    With Vladimir Putin insisting that it's not "European pigs" that will stop Russia from liberating its "historic lands", and with the US actively supporting pro-Moscow parties that continue to surge in polling across the continent, leaders of the 27-member bloc must now make a choice: seize €210 billion in frozen Russian assets for Ukraine and run the risk of legal liability for those billions down the road; borrow on the bond markets, which Germany and other fiscally frugal northern European states reject out of hand; or cave, as a small but vocal minority of leaders would prefer. Produced by François Picard, Rebecca Gnignati, Charles Wente, Ilayda Habip & Jean-Vincent Russo

As 2025 draws to a close, all year long one question has dogged the most plugged-in of football fanatics: what's up with Gianni Infantino? Why all the cameos by the head of an international sports body at the US president's inauguration, a Middle East peace signing and another for DR Congo and Rwanda?  Read moreUS President Donald Trump named first winner of FIFA Peace Prize Why create a peace prize for the said leader of the host nation of next summer's World Cup final? Is it the initiative of one man who runs in the same circles as Trump's Gulf monarchy counterparts, or is FIFA collectively panicked about keeping the United States onside as it weighs tighter visa restrictions on foreigners? Read moreTravel bans, border tensions, ICE raids: Trump’s impact on World Cup plans If World Cup organisers fear foreign fans might stay away, they're certainly hiding it. Just look at their ticket pricing. Do they know this is soccer, not polo? Will fans from Haiti or Curaçao pay thousands of dollars per match? Whatever happens, the show will go on despite the expansion to 48 teams and commercial break-friendly water stoppages. That begs the broader question: is the sky the limit, or is there a point at which greed kills football's golden goose?